In the days before his fortieth birthday, London-based journalist Jasper Rees trades his pen for a French horn that has been gathering dust in the attic for more than twenty-two years, and, on a lark, plays it at the annual festival of the British Horn Society. Despite an embarrassingly poor performance, the experience inspires Rees to embark on a daunting, bizarre, and ultimately winning journey: to return to the festival in one year's time and play a Mozart concerto—solo—to a large paying audience. A Devil to Play is the true story of an unlikely midlife crisis spent conquering sixteen feet of wrapped brass tubing widely regarded as the most difficult instrument to master, as well as the most treacherous to play in public. It is the history of man's first musical instrument, a compelling journey that moves from the walls of Jericho to Sgt. Pepper's Lonely Hearts Club Band, from the hunting fields of France to the heart of Hollywood. And it is the account of one man's mounting musical obsession, told with pitch-perfect wit and an undeniable charm—an endearing, inspiring tale of perseverance and achievement, relayed masterfully, one side-splittingly off-key note at a time.

THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.

(Play Like). Study the trademark songs, licks, tones and techniques of the King of the Delta Blues Singers, Robert Johnson. This comprehensive book and audio teaching method provides detailed analysis of his guitars, techniques, styles, songs, licks, riffs and much more. You'll learn everything you need to know about Johnson's legendary guitar playing, as captured on his 29 known recording from 1936-7. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. Five full songs are included: Come on in My Kitchen * Cross Road Blues (Crossroads) * I Believe I'll Dust My Broom * Kind Hearted Woman Blues * and Sweet Home Chicago, plus excerpts from many more signature tunes.

At a time when many Christians no longer practice their faith, there has been an increase in the attention given to the devil and his devious ways. Because the devil seeks to destroy and separate us from God, all Catholics must be on guard. In Exorcism: The Battle Against Satan and His Angels, Fr. Vincent P. Lampert, a seasoned exorcist, presents authentic Catholic teaching on the devil and his plan against humanity. Providing a window into the merciful ministry of exorcism, Fr. Lampert equips Catholics with the knowledge necessary to avoid become vulnerable to spiritual attack. In Exorcism, you’ll learn · how the Church selects and trains priests for the ministry of exorcism · where and how the devil operates in the world, and what Scripture has to say about it · why it is vital for Catholics to live a vibrant life of faith · what to do if you suspect the presence of the demonic in your life or in others and · how to fend off spiritual attack and build a stronger relationship with God. Exorcism makes clear that the power of Satan to wreak havoc in our lives pales in light of the glorious omnipotence of our Redeemer, Jesus Christ.

“A solid, scholarly analysis of the power, meaning, musical structure, and sociopolitical contexts of the most popular examples of heavy metal.” —Library Journal Dismissed by critics and academics, condemned by parents and politicians, and fervently embraced by legions of fans, heavy metal music continues to attract and embody cultural conflicts that are central to society. In Running with the Devil, Robert Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power. This edition includes a new foreword by Harris M. Berger contextualizing the work and a new afterword by the author. Ebook Edition Note: all photographs (sixteen) have been redacted. “Walser belongs to a small but influential group of academics trying to reconcile ‘high theory’ with a streetwise sense of culture . . . an excellent book.” —Rolling Stone “Takes musicology where it has never gone before; I once saw the chapter on metal guitarists and the classical tradition performed live in a lecture hall, but even on paper it smokes.” —SF Weekly “Walser is truly gifted at doing what few critics before him have done: analyzing the music . . . In virtuoso readings of metal music that forge persuasive links between metal and particular classical music traditions, Walser reveals the ways that musical structures themselves are social texts.” —The Nation “Making surprising connections to classical forms and debunking stereotypes of metal’s musical crudity, Walser delves enthusiastically into guitar conventions and rituals.” —The Washington Post