Meet Mr. Bones, the canine hero of Paul Auster's remarkable new novel, Timbuktu. Mr. Bones is the sidekick and confidant of Willy G. Christmas, the brilliant, troubled, and altogether original poet-saint from Brooklyn. Like Don Quixote and Sancho Panza before them, they sally forth on a last great adventure, heading for Baltimore, Maryland in search of Willy's high school teacher, Bea Swanson. Years have passed since Willy last saw his beloved mentor, who knew him in his previous incarnation as William Gurevitch, the son of Polish war refugees. But is Mrs. Swanson still alive? And if she isn't, what will prevent Willy from vanishing into that other world known as Timbuktu? Mr. Bones is our witness. Although he walks on four legs and cannot speak, he can think, and out of his thoughts Auster has spun one of the richest, most compelling tales in recent American fiction. By turns comic, poignant, and tragic, Timbuktu is above all a love story. Written with a scintillating verbal energy, it takes us into the heart of a singularly pure and passionate character, an unforgettable dog who has much to teach us about our own humanity.

Describes how a group of Timbuktu librarians enacted a daring plan to smuggle the city's great collection of rare Islamic manuscripts away from the threat of destruction at the hands of Al Qaeda militants to the safety of southern Mali.

Timbuktu is famous as a center of learning from Islam’s Golden Age. Yet it was one among many scholarly centers to exist in precolonial West Africa. Ousmane Kane charts the rise of Muslim learning in West Africa from the beginning of Islam to the present day and corrects lingering misconceptions about Africa’s Muslim heritage and its influence.

Two tales of a city: The historical race to reach one of the world's most mythologized places, and the story of how a contemporary band of archivists and librarians, fighting to save its ancient manuscripts from destruction at the hands of al Qaeda, added another layer to the legend. To Westerners, the name "Timbuktu" long conjured a tantalising paradise, an African El Dorado where even the slaves wore gold. Beginning in the late eighteenth century, a series of explorers gripped by the fever for "discovery" tried repeatedly to reach the fabled city. But one expedition after another went disastrously awry, succumbing to attack, the climate, and disease. Timbuktu was rich in another way too. A medieval centre of learning, it was home to tens of thousands of ancient manuscripts, on subjects ranging from religion to poetry, law to history, pharmacology, and astronomy. When al-Qaeda-linked jihadists surged across Mali in 2012, threatening the existence of these precious documents, a remarkable thing happened: a team of librarians and archivists joined forces to spirit the manuscripts into hiding. Relying on extensive research and firsthand reporting, Charlie English expertly twines these two suspenseful strands into a fascinating account of one of the planet's extraordinary places, and the myths from which it has become inseparable

The first book for general readers about the storied past of one of the world’s most fabled cities. Timbuktu — the name still evokes an exotic, faraway place, even though the city’s glory days are long gone. Unspooling its history and legends, resolving myth with reality, Marq de Villiers and Sheila Hirtle have captured the splendour and decay of one of humankind’s treasures. Founded in the early 1100s by Tuareg nomads who called their camp “Tin Buktu,” it became, within two centuries, a wealthy metropolis and a nexus of the trans-Saharan trade. Salt from the deep Sahara, gold from Ghana, and money from slave markets made it rich. In part because of its wealth, Timbuktu also became a centre of Islamic learning and religion, boasting impressive schools and libraries that attracted scholars from Alexandria, Baghdad, Mecca, and Marrakech. The arts flourished, and Timbuktu gained near-mythic stature around the world, capturing the imagination of outsiders and ultimately attracting the attention of hostile sovereigns who sacked the city three times and plundered it half a dozen more. The ancient city was invaded by a Moroccan army in 1600, beginning its long decline; since then, it has been seized by Tuareg nomads and a variety of jihadists, in addition to enduring a terrible earthquake, several epidemics, and numerous famines. Perhaps no other city in the world has been as golden — and as deeply tarnished — as Timbuktu. Using sources dating deep into Timbuktu’s fabled past, alongside interviews with Tuareg nomads and city residents and officials today, de Villiers and Hirtle have produced a spectacular portrait that brings the city back to life.

For nearly eight years as the monthly columnist for Outside magazine, and in his award-winning books, Mark Jenkins has held fans spellbound with his riveting accounts of expeditions to remote parts of the globe. In To Timbuktu, he sets out with three friends to attempt their first descent of the Niger River, hoping to reach the legendary city of Timbuktu. Along the way they are attacked by killer bees, charged by hippos, and stalked by crocodiles. They stumble upon a group of completely blind men living alone in the bush and dance with a hundred naked women. That Jenkins finally reaches his goal—riding alone across the Sahara on a motorcycle—stands in sharp contrast to what befell earlier explorers who tried to find Timbuktu and whose fates the author interweaves with the narrative of his own journey. A rich combination of cultural exploration, history, and gripping adventure, this beautifully repackaged edition of To Timbuktu is a journey not to be missed.

An experimental television play composed of excerpts from his novels and stories, Between Time and Timbuktu features Kurt Vonnegut’s special blend of scientific expertise, wit, and penetrating comment. “Most unusual, ultra imaginative . . . a sort of cross between 2001: A Space Odyssey and Alice in Wonderland.”—Philadelphia Inquirer The basic story line: Young Stony Stevenson wins a jingle contest and, as his prize, is blasted off into the time-space warp. The country’s first poet-astronaut thus experiences both past and future human history simultaneously. His observations on it consist mainly of dramatized selections from the author’s works. The result is a unique Vonnegut sampler cast in the form of “an excellent drama” (Pittsburgh Press).