''Discusses the individual and collective achievement of the three American architects.''--

Profusely illustrated text describes the personalities and architectural achievements of major American architects of the past and present.

St. Louis is one of the most architecturally impressive cities in the United States, with a heritage of innovative design stretching back to the early 1800s. This is reflected in the architecture of the downtown area and surrounding neighborhoods. More than just about any city in America, St. Louis embraced the imposing forms and lush ornamentation of the Beaux Arts tradition. Indeed, one can make the argument that only Washington, D.C. in the United States has a more impressive collection of classically inspired structures. American City: St. Louis Architecture is the first large-format book on the city's architecture since the 1920s, and includes over 100 new color photographs and text for 50 of the city's most important structures. These range from such 19th Century masterpieces as Louis Sullivan's Wainwright Building, Alfred Mullet's Old Post Office and Theodore Link's Union Station, to Eero Saarinen's Gateway Arch, Tadao Andao's Pulitzer Foundation for the Arts Building and Maya Lin's recently completed Ellen Clark Hope Plaza.

This is the first volume to include all of the existing work by Thomas Jefferson, the third president of the United States and the father of American architecture. Along with his numerous political achievements, Thomas Jefferson was also the first great architect of the United States. The Jeffersonian Classical style has been so influential that along with Frank Lloyd Wright and Philip Johnson, Jefferson is one of the three most recognized architects in American History.

The first comprehensive history of architecture education in North America, offering a chronological overview and a topical lexicon. Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century later that North American universities began to offer formal architectural training; the first program was established at MIT in 1865. Today most architects receive their training within an academic setting that draws on the humanities, fine arts, applied science, and public service for its philosophy and methodology. This book, published in conjunction with the centennial of the Association of Collegiate Schools of Architecture (ACSA), provides the first comprehensive history of North American architecture education. Architecture School opens with six chronological essays, each devoted to a major period of development: before 1860; 1860–1920; 1920–1940; 1940–1968; 1968–1990; and 1990 to the present. This overview is followed by a “lexicon” containing shorter articles on more than two dozen topics that have figured centrally in archictecture education's history, from competitions and design pedagogy to research, structures, studio culture, and travel.

Letters to Architects presents letters addressed to architects practicing throughout the world, many of them contemporaries with Frank Lloyd Wright during the first half of the twentieth century. Taken as a whole, this selection of letters aims at revealing an underlying unity of purpose: the growth of his work and the unquestionable magnitude of influence it engendered in the world of architecture. The letters are organized into five sections. Section One presents the first publication ever to be made of the letters between Frank Lloyd Wright and Louis H. Sullivan. Section Two traces Wright's concern, through letters addressed to both European and American architects, that his work be understood as the cornerstone of an American Culture. In Section Three, correspondence has been selected to include three specific persons: Henry-Russell Hitchcock, Lewis Mumford, and Howard Myers. These men offered Wright a special forum from which he could speak to the profession as a whole, most particularly through the medium of publication. Section Four narrates, by means of letters to various architects concerned with the assembling and exhibition of the largest one man architectural exhibition ever to be produced, the details, trials, problems, and results of such a large undertaking. Section Five recounts the honors bestowed on Frank Lloyd Wright first in England, in 1941, and then in his own country, in 1949. It shows his concern for the profession of architecture in the moving address he gave at the occasion of his receiving the Gold Medal from the American Institute of Architects.

This survey provides a unique overview of 1,000-years of architectural development.