She loves life in spite of everything. Conceived as the result of a rape, she herself was raped at the age of 14. Her name is Hilaria Supa Huamán. She is 47 years old and self-educated. She has lived in Lima, the capital of Peru. She now lives in Huallaccocha, in Cuzco. She campaigns for agriculture and for the women of the countryside. For more than 20 years, she has been dedicated to organizing women and preserving the ancient wisdom and culture of the Andes. For the last six years, she has also been working in search of justice for women who were forcibly sterilized.--1000 Women for the Nobel Peace Prize

This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.

"The memoirs of a celebrity costume designer describe her upbringing in the fashionable celebrity circles of her literary parents, her family's artistic but traumatizing approaches to shopping and how the fashion-savvy perspectives of her early years shaped her relationships and career, "--NoveList.

Designers are great white sharks, and we roam the waters ourselves. We often pretend to like and admire each other, but sometimes we don't even bother to fake it. The fashion industry is as hardworking, incestuous, and political as any other, and it's virtually impossible, given the size of designers' egos, to sincerely wish someone else well, because behind every false tribute is 'It should have been me.' So writes Joseph Abboud, who fell in love with style at five. There in the dark of the movie house, he wasn't just some Lebanese kid with a babysitter. He was the hero, in tweeds and pocket squares. That's where he learned that clothes represented a better life—a life he wanted, and would grab, for himself. From his blue-collar childhood in Boston's South End to his spread-collar success as one of America's top designers, he has forged a remarkable path through the unglamorous business of making people look glamorous. He transformed American menswear by replacing the traditional stiff-shouldered silhouette with a grown-up European sensuality. He was the first designer to win the coveted CFDA award as Best Menswear Designer two years in a row and the first designer to throw out the opening pitch at Fenway Park. He's been jilted by Naomi Campbell (who didn't show up on the runway for his first women's fashion show) and questioned by the FBI (who did show up in his office right after September 11 because he fit the profile). He's soared and sunk more than a few times—and lived to tell the tales. Threads is his off-the-record take on fashion, from the inside out. With breezy irreverence, he looks at guys and taste, divas and deviousness, fabric and texture, and all those ties. He takes us to the luxe bastion of Louis Boston, where he came of age and learned the trade, and to the seductive domain of Polo Ralph Lauren, where he became associate director of menswear design. He reveals the mystique of department-store politics, what's what at the sample sale, and who copies whom. He explains the process of making great clothes, from conception and sketch to manufacturing and marketing. Whether he's traveling by daredevil horse, plunging plane, Paris Métro, or cross-country limo, Abboud is an illuminating guide to a complex world.

A cloth bag containing eight copies of the title, that may also include a folder.

Use this spiritual guide to equip yourself with the tools needed to tear down anxiety and build inner peace. Spiritual people often find that their own expectations of living a life dedicated to a higher power makes them more susceptible to high-functioning anxiety. Sometimes, traditional relaxation techniques either do not work, don’t last, or, in some cases, actually increase their anxiety. Psychotherapist, yoga teacher, and interfaith minister Rev. Connie L. Habash has helped hundreds of spiritual people overcome fear and anxiety, regain happiness, and feel calmer. In over twenty-five years as a counselor helping spiritual people overcome anxiety, Rev. Connie has taught that it takes more than chanting mantras, stretching, or relaxation techniques to calm anxiety. It requires a transformation in perception, moment-to-moment body awareness, and a conscious response to thoughts and emotions. Awakening from Anxiety provides valuable psycho-spiritual tools to deepen spiritual awakening and calm fears:Learn what anxiety is and when it becomes a problemUnderstand the six mistakes spiritual people make that increase anxietyDiscover the seven keys to a more calm, confident, courageous lifeKnow how to break through the old patterns of stress, worry, and fear into a new perception of your true selfExplore spiritual principles and yoga philosophy to cultivate inner peace If you enjoyed Stop Anxiety from Stopping You and First, We Make the Beast Beautiful, Awakening from Anxiety will take your healing and renewal from anxiety to the next level. “A book I will recommend to many for both practical advice and spiritual insights for handling stress, worry, and anxiety.”?Becca Anderson, author of Prayers for Calm

Many autobiographers share profound questions about human life with their readers—questions like: To what extent was my life imposed on me? To what extent did I bring it about through particular choices and actions, through the activity of my own will? Indeed, the issue of the will is central to autobiographical writing, and some of the greatest autobiographies give extended consideration to the will—its nature; its powers; its limitations; the forms of freedom, constraint, and expression it finds in various cultures; its role in particular human lives. In this new study, unprecedented in subject and scope, Richard Freadman offers the first sustained account of how changing theological, philosophical, and psychological accounts of the human will have been reflected in the writing of autobiography, and of how autobiography in its turn has helped shape various understandings of the will. Early chapters trace narrative representations of the will from antiquity (the Greeks and Augustine) to postmodernism (Derrida and Barthes), with particular emphasis on late modernity's culture of the will. Later chapters then present detailed and powerfully original readings of autobiographical texts by Louis Althusser, Roland Barthes, B. F. Skinner, Ernest Hemingway, Simone de Beauvoir, Arthur Koestler, Stephen Spender, and Diana Trilling. Freadman's interdisciplinary approach to autobiography and the will includes a theoretical defense of the view that autobiographers are, in varying degrees, agents in their own texts. Threads of Life argues that late modernity has inherited deeply conflicted attitudes to the will. Freadman suggests that these attitudes, now deeply embedded in contemporary cultural discourse, need reexamining. In this, he contends, 'reflective autobiography' has an important part to play.