When she is asked to appraise a collection of needlepoint furnishings housed in a supposedly haunted Victorian mansion, Angie Curtis discovers what really happened to the original occupant of the house, who died under mysterious circumstances.

Returning to the quaint coastal town of Harbor Haven, Maine--a place she once called home--Angie Curtis finds her memories aren't all quite pleasant ones. . . After leaving a decade ago, Angie has been called back to Harbor Haven by her grandmother, Charlotte, who raised her following her mother's disappearance when she was a child. Her mother has been found, and now the question of her whereabouts has sadly become the mystery of her murder. The bright spot in Angie's homecoming is reuniting with Charlotte, who has started her own needlepointing business with a group called Mainely Needlepointers. But when a shady business associate of the stitchers dies suddenly under suspicious circumstances, Charlotte and Angie become suspects. As Angie starts to weave together clues, she discovers that this new murder may have ties to her own mother's cold case. . .

Examines ways in which science helps solve crimes using threads of evidence such as blood, teeth, teethmarks, fingerprints, eye prints, DNA, hairs, fibers, and corpses.

This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.

The author reviews children's patterns of learning and thinking (schemas), how to support early schematic development, and implications for curriculum, assessment and working with parents.