This book provides the first complete account of all the editions of Utopia, whether vernacular or Latin, printed before 1650, together with a transcription of all the prefatory materials they contain. The reception of the idea of Utopia in early modern Europe has been studied extensively before: what has been lacking is a composite picture of how Utopia moved by means of translation from culture to culture and of the ways in which particular versions offered themselves to their readers. Part I consists of a series of chapters which provide a contextual and interpretative framework for each national group of translations; in Part II, the substantive paratexts of all the extant translations of Utopia printed between 1524 and 1643 are reproduced both in the original language and in English translation. The book also contains a chapter sketching the fortunes of the Latin paratexts and editions up to 1650, and a transcription of a single Latin paratext which has never, to our knowledge, been printed in modern times. This book will be of interest to specialists in early modern cultural history and history of the book, to graduate students working in these fields, and to anyone for whom the extraordinary success of More’s Utopia as a book published on the European market remains a perennial fascination.

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

A unique edition of three early modern utopian texts, using a contemporary translation of More's Utopia and examining the Renaissance world view as shown by these writers. The edition includes the illustrative material that accompanied early editions of Utopia, full chronologies of the authors, notes, and glossary.

Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1, University of Hannover (Philosophische Fakultät - Englisches Seminar), course: Seminar: Early Modern Utopias, language: English, abstract: This paper is supposed to analyse the picture of England and Europe as it is drawn in Book I. The question that rises is, what major points of life in Europe in the beginning of the 16th century are being criticised. It is not possible to do so without taking into account the time of publication. It needs to be answered, what role the transition time of early 16th century played for the author to write such a book which founded a new genre of literature: The Utopia.2 From that point on literary works which described an invented, positive society where named Utopias. Chapter two is giving a short overview of the composition of Book I. It is followed by the main chapter (No. 3) of this paper. It deals with the political and social injustices in England and Europe as they are being characterized in the first Book of More’s Utopia. It focuses on the following major points of criticism: European monarchs, an adequate from of punishment (especially for theft), the important enclosure movement and the role of private property in a society. These different images – I would like to call them pieces of a puzzle – form a general impression (a puzzle so to say) which the reader gets about the contemporary state of Europe if he puts the pieces together. 2 Following important works of that genre are for instance A Modern Utopia by H. G. Wells, Ecotopia by Ernest Callenbach, Dinotopia by James Gurney but also The New Atlantis by Francis Bacon.

'Topos in Utopia' examines early modern literary utopias' and intentional communities' social and cultural conception of space. Starting from Thomas More's seminal work, published in 1516, and covering a period of three centuries until the emergence of Enlightenment's euchronia, this work provides a thorough yet concise examination of the way space was imagined and utilised in the early modern visions of a better society. Dealing with an aspect usually ignored by the scholars of early modern utopianism, this book asks us to consider if utopias' imaginary lands are based not only on abstract ideas but also on concrete spaces. Shedding new light on a period where reformation zeal, humanism's optimism, colonialism's greed and a proto-scientific discourse were combined to produce a series of alternative social and political paradigms, this work transports us from the shores of America to the search for the Terra Australis Incognita and the desire to find a new and better world for us.

Though much has been written about connections between early modern utopia and nascent European imperialism, the author brings a fresh perspective to the topic by exploring it through some of the sub-genres that comprise early modern utopia, identifying and discussing each specific form in the cultural and historical contexts that render it suitable for the creation and promulgation of utopian programs, whether imaginary or intended for actual implementation. This study transforms scholarly understanding of early modern utopia by first complicating our notion of it as a single genre, and secondly by fusing our paradoxically fragmented view of it as alternately a literary or social phenomenon. Her analysis shows early modern utopia to be not a single genre, but rather a conglomeration of many forms or sub-genres, including travel writing, ethnography, dialogue, pastoral, and the sermon, each with its own relationship to nascent imperialism. These sub-genres bring to utopian writing a variety of discourses - anthropological, theological, philosophical, legal, and more - not usually considered fictional; presented in a humanist guise, these discourses lend to early modern utopia an authority that serves to counteract the general contemporary distrust of fiction. The author shows how early modern utopia, in conjunction with the authoritative forms of its sub-genres, is not only able to impose its fictions upon the material world but in doing so contributes to the imperialistic agendas of its day. This volume contains a bibliographical essay as well as a chronology of utopian publications and projects, in Europe and the New World.

A unique edition of three early modern utopian texts, using a contemporary translation of More's Utopia and examining the Renaissance world view as shown by these writers. The edition includes the illustrative material that accompanied early editions of Utopia, full chronologies of the authors, notes, and glossary. - ;Thomas More: Utopia/ Francis Bacon: New Atlantis/Henry Neville: The Isle of Pines With the publication of Utopia (1516), Thomas More introduced into the English language not only a new word, but a new way of thinking about the gulf between what ought to be and what is. His Utopia is at once a scathing analysis of the shortcomings of his own society, a realistic suggestion for an alternative mode of social organization, and a satire on unrealistic idealism. Enormously influential, it remains a challenging as well as a playful text. This edition reprints Ralph Robinson's 1556 translation from More's original Latin together with letters and illustrations that accompanied early editions of Utopia. Utopia was only one of many early modern treatments of other worlds. This edition also includes two other, hitherto less accessible, utopian narratives. New Atlantis (1627) offers a fictional illustration of Francis Bacon's visionary ideal of the role that science should play in the modern society. Henry Neville's The Isle of Pines (1668), a precursor of Defoe's Robinson Crusoe, engages with some of the sexual, racial, and colonialist anxieties of the end of the early modern period. Together these texts illustrate the diversity of the early modern utopian imagination, as well as the different purposes to which it could be put. -