This Tilted World Is Where I Live presents one hundred poems by Henry Taylor, drawing on over fifty years of published work by this witty, adept, and vital literary voice. The volume gathers seventy-five poems from previous books, including the Pulitzer Prize–winning The Flying Change, along with twenty-five more recent poems collected for the first time. Throughout his remarkable career, Taylor has worked in both traditional and open forms, avoiding rigid allegiance to either mode as he has responded to the world around him, from the horse farm in Virginia where he grew up, to the deserts around Santa Fe, New Mexico, where he now lives. In tones and moods ranging from grief to explosive hilarity, Taylor’s verse considers what we mean by loving one another, how violence can intrude without warning into innocent lives, and how the things we have always seen can change with the passage of time. This Tilted World Is Where I Live encapsulates the keen attention, vital humanism, and mastery of craft that have characterized a long and distinguished poetic career.

This Tilted World Is Where I Live presents one hundred poems by Henry Taylor, drawing on over fifty years of published work by this witty, adept, and vital literary voice. The volume gathers seventy-five poems from previous books, including the Pulitzer Prize–winning The Flying Change, along with twenty-five more recent poems collected for the first time. Throughout his remarkable career, Taylor has worked in both traditional and open forms, avoiding rigid allegiance to either mode as he has responded to the world around him, from the horse farm in Virginia where he grew up, to the deserts around Santa Fe, New Mexico, where he now lives. In tones and moods ranging from grief to explosive hilarity, Taylor’s verse considers what we mean by loving one another, how violence can intrude without warning into innocent lives, and how the things we have always seen can change with the passage of time. This Tilted World Is Where I Live encapsulates the keen attention, vital humanism, and mastery of craft that have characterized a long and distinguished poetic career.

Set against the backdrop of the historic flooding of the Mississippi River, The Tilted World is an extraordinary tale of murder and moonshine, sandbagging and saboteurs, and a man and a woman who find unexpected love, from Tom Franklin, the acclaimed author of the New York Times bestseller Crooked Letter, Crooked Letter, and award-winning poet Beth Ann Fennelly The year is 1927. As rains swell the Mississippi, the mighty river threatens to burst its banks and engulf everything in its path, including federal revenue agent Ted Ingersoll and his partner, Ham Johnson. Arriving in the tiny hamlet of Hobnob, Mississippi, to investigate the disappearance of two fellow agents who'd been on the trail of a local bootlegger, they are astonished to find a baby boy abandoned in the middle of a crime scene. Ingersoll, an orphan raised by nuns, is determined to find the infant a home, and his search leads him to Dixie Clay Holliver. A strong woman married too young to a philandering charmer, Dixie Clay has lost a child to illness and is powerless to resist this second chance at motherhood. From the moment they meet, Ingersoll and Dixie Clay are drawn to each other. He has no idea that she's the best bootlegger in the county and may be connected to the agents' disappearance. And while he seems kind and gentle, Dixie Clay knows full well that he is an enemy who can never be trusted. When Ingersoll learns that a saboteur might be among them, planning a catastrophe along the river that would wreak havoc in Hobnob, he knows that he and Dixie Clay will face challenges and choices that they will be fortunate to survive. Written with extraordinary insight and tenderness, The Tilted World is that rarest of creations, a story of seemingly ordinary people who find hope and deliverance where they least expect it—in each other.

What is this World? What kind of place is it? “The round kind. The spinning kind. The moist kind. The inhabited kind. The kind with flamingos (real and artificial). The kind where water in the sky turns into beautifully symmetrical crystal flakes sculpted by artists unable to stop themselves (in both design and quantity). The kind of place with tiny, powerfully jawed mites assigned to the carpets to eat my dead skin as it flakes off . . . The kind with people who kill and people who love and people who do both . . . This world is beautiful but badly broken. “I love it as it is, because it is a story, and it isn’t stuck in one place. It is full of conflict and darkness like every good story, a world of surprises and questions to explore. And there’s someone behind it; there are uncomfortable answers to the hows and whys and whats. In the beginning was the Word, and the Word was with God, and the Word was God. Through Him were all things made . . . Welcome to His poem. His play. His novel. Let the pages flick your thumbs.”

Love—good and bad—forces three teens’ worlds to tilt in a riveting novel from New York Times bestselling author Ellen Hopkins. Three teens, three stories—all interconnected through their parents’ family relationships. As the adults pull away, caught up in their own dilemmas, the lives of the teens begin to tilt...​ Mikayla, almost eighteen, is over-the-top in love with Dylan, who loves her back. But what happens to that love when Mikayla gets pregnant the summer before their senior year—and decides to keep the baby? Shane turns sixteen that same summer and falls hard in love with his first boyfriend, Alex, who happens to be HIV positive. Shane has lived for four years with his little sister’s impending death. Can he accept Alex’s love, knowing that his life, too, will be shortened? Harley is fourteen—a good girl searching for new experiences, especially love from an older boy. She never expects to hurdle toward self-destructive extremes in order to define who she is and who she wants to be. Love, in all its forms, has crucial consequences in this standalone novel.

When Meshac Brownlow murders her mother's boyfriend and leaves home, she learns the price you pay when violence is answered with violence. Upon arriving in Nuanz, Tennessee, she makes friends with the mover and shaker, Edna Love, and an inquisitive ten-year-old Grace. The tragic death of Grace's friend, Noah, threatens the harmony of the town. This coincides with the first sit-ins at the nearby Woolworth's lunch counter. The unfolding of the story links with the four seasons of one year. The yearlong trek from revenge to understanding changes Meshac. She finds her answers in Nuanz, Tennessee at the Bluebird Cafe.