"A story of family secrets, broken relationships, and a love strong enough to span a nation"--Provided by publisher.

Defiantly beautiful, Caroline Wetherby stepped ashore in a land so wild and fierce, she trembled. She had come seeking refuge with the last of her family, but her sister was dead. Waiting to greet her were pious Pilgrims, warring Indians, howling wolves, a boisterous household of men and boys...and him, her rugged, unwelcoming brother-in-law, Matt Mathieson. Caroline wanted to hate Matt as she hated all men. After her father's death, she'd been eager to escape England. But as daughter of a gambler and a gypsy, her flamboyant ways and healing skills tempted disaster in the sanctimonious Connecticut Colony. And putting herself in the hands of a big, handsome stranger tempted something far more dangerous--emotions she couldn't resist, kisses she couldn't forget, and a future that could bring ruin...or a journey to heaven on earth in his arms.

This first-person account tells the fascinating story of the three years Elder Groberg spent on the islands in the South Pacific amidst a kindly people who had a deep faith in God, a faith that provides the backdrop for Elder Groberg's accounts of miraculous healings, protective warnings, and perilous voyages; for such stories as: The emergancy night voyage on a turbulent sea, and the anxious search for the only guiding light into the destination harbor. The boy whose apparently lifeless body was handed to the missionaries with the words, "Here, make him well again you have the power." The storm that overturned the boat, throwing missionaries into the raging sea. The hurricane that hit the little island. The hunger when the usual supply boat failed to show up. And much, much more. This remarkable book paints a vivid picture of missionary life in a society geared to "a different way of thinking."

A comedian, a nun, a reality TV star and countless others meet in a Garden. This is not the start of a joke, but the beginnings of a parable. These denizens may be running out of time, even as it seems there is all the time in their Kafkaesque world. Reader Reviews: “With deceptive simplicity, the mutable voices combine in a tale both irresistible and haunting. Reading this story feels like witnessing a communion, or perhaps vivisection, of familiar states of being. Evocative and unforgettable.” —Shubigi Rao, author of Pulp “Wong pulls the rug from under us but leaves us still standing, albeit transported via his magic carpet ride to a new vantage point and offered a different perspective.” –KK Seet, author of Death Rites

That Side of Heaven chronicles Heather's journey of loss, grief, and healing after multiple miscarriages. With honesty and vulnerability, she addresses many of the fears and questions that emerge after miscarriage. Every raw detail of her story validates the pain of losing a baby, while also attesting to the hope and healing she found in God. At the end of each chapter, you will find stories from other loss-mommas, God's promise, a prayer, and gently guided questions with space to write. That Side of heaven offers a hurting momma comfort and camaraderie, while giving plenty of breathing room and permission to grieve in her own way.

From the author of the acclaimed Dinner with Persephone comes a radically original novel about four women who invite us to imagine the divine anew: what if “a woman’s point of view” were also God’s? Patricia Storace’s Eve begins by telling us her version of what happened in Eden, and by revealing that our familiar constellations conceal other heavens we have never allowed ourselves to see. Each of the four subsequent chapters is the story of one of these new zodiacs, featuring images central to women: a knife, a cauldron, a garden, a pair of embracing lovers. The four women whose stories they tell are Job’s daughter, the Queen of Sheba, a polytheistic cook, and a transformed Sarah, wife of Abraham. Storace brilliantly reimagines the worlds of these women, freeing them from the old tales in which they were trapped and putting them in the foreground of their stories and of the Old Testament itself.

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