Celebrating an increasingly interesting form that concentrates short prose pieces with the techniques of poetry brought to bear, this is the first anthology of its kind in the UK and features well known proponents of the prose poetry form such as George Szirtes and Pascale Petit, as well as emerging voices.

Not For Turning is the first volume of Charles Moore's authorized biography of Margaret Thatcher, the longest serving Prime Minister of the twentieth century and one of the most influential political figures of the postwar era. Charles Moore's biography of Margaret Thatcher, published after her death on 8 April 2013, immediately supercedes all earlier books written about her. At the moment when she becomes a historical figure, this book also makes her into a three dimensional one for the first time. It gives unparalleled insight into her early life and formation, especially through her extensive correspondence with her sister, which Moore is the first author to draw on. It recreates brilliantly the atmosphere of British politics as she was making her way, and takes her up to what was arguably the zenith of her power, victory in the Falklands. (This volume ends with the Falklands Dinner in Downing Street in November 1982.) Moore is clearly an admirer of his subject, but he does not shy away from criticising her or identifying weaknesses and mistakes where he feels it is justified. Based on unrestricted access to all Lady Thatcher's papers, unpublished interviews with her and all her major colleagues, this is the indispensable, fully rounded portrait of a towering figure of our times.

Margaret Thatcher is one of the most significant political figures of the twentieth century—a Prime Minister whose impact on modern English history is comparable only to Winston Churchill's. Like them or not, her radical policies made Britain the country it is today. And like her or not, Margaret Thatcher's legacy remains a massive political force, responsible for laying the groundwork for New Labour, Tony Blair, and David Cameron, and for England's strong political allegiance to the United States throughout the Cold War. Now Robin Harris, for many years Mrs. Thatcher's speechwriter, close adviser, and the draftsman of both volumes of her autobiography, has written the definitive book about this indomitable English woman. In this international bestseller, he tells the compelling story of her life, from humble beginnings above her father's grocery store in Grantham, her early days as one of the first women in Westminster (she became known as "Thatcher Milk Snatcher" during her time in the Ministry of Education), and then on to her groundbreaking career as Prime Minister (by which time her reputation already demanded a more powerful epithet: "Iron Lady"). We follow Thatcher through hard-fought political battles and experience with her the tribulations of the English miners' strike and the Falklands War, of her sometimes troubled friendship with Ronald Reagan, and their shared staunch opposition to Communism. We learn of the political intrigue behind the scenes at Ten Downing Street. And how during one of the darkest hours of her premiership she refused to alter course and, adapting the words of an English play, declared to her enemies, inside and outside the Government, "You turn if you want to. The Lady's Not for Turning," summing up for admirers and detractors alike the defiance and consistency of Mrs. Thatcher's approach. Throughout Not for Turning we sense the passionate intellect which fuelled her ambitions, drove her into and out of one of the highest offices in the English-speaking world, and has established a unique political legacy that continues even after her death... Not for Turning is an unforgettable portrait of Britain's first female Prime Minister, written by one of her most trusted advisers, and a fitting tribute to an extraordinary politician and leader.

THE STORY: Thomas Mendip, a discharged soldier, weary of the world and eager to leave it, comes to a small town, announces he has committed murder and demands to be hanged. A philosophical humorist, Thomas is annoyed when the officials oppose his r

This book explores the art of poetry writing from a practice-based perspective, showing how form, trope and theory inform the practical craft of writing poems. It is divided into three key sections: - Form and structure, covering sonnets, ballads, blank verse and more - Trope and device, introducing topics such as irony, imagery and voice - Poetics and practice, which discusses the writing of poets such as Robert Frost, Amy Lowell and Frank O'Hara Each chapter unpacks a particular concept or form, using examples to display it in practice. The book is filled with exercises to get you writing, and hints and tips for effective re-writing and for avoiding common pitfalls. Written by published poets, many of whom teach writing or literature, The Portable Poetry Workshop will push you to explore beyond your creative writing boundaries.

Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity. With contributions by both practitioners and academics, this volume seeks to explore how its distinctive properties guide both writer and reader, and to address why this form is so well suited to the early twenty-first century. With discussion of both classic and less well- known writers, the essays both illuminate prose poetry’s distinctive features and explore how this "outsider" form can offer a unique way of viewing and describing the uncertainties and instabilities which shape our identities and our relationships with our surroundings in the early twenty-first century. Combining insights on the theory and practice of prose poetry, Prose Poetry in Theory and Practice offers a timely and valuable contribution to the development of the form, and its appreciation amongst practitioners and scholars alike. Largely approached from a practitioner perspective, this collection provides vivid snapshots of contemporary debates within the prose poetry field while actively contributing to the poetics and craft of the form.