Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.

This is not a maze... But it is a fun and challenging activity book that blends coloring with image searches! So you found a badger, but did you notice his jet pack? Uncover animals, objects and symbols in this hidden-image, coloring-book hybrid. Every page of interlocking linear designs may look the same at first glance, but don't be fooled. Each one focuses on finding unique images themed around a different letter or number, from A to Z and 1 to 10. An introduction to each puzzle lists all the disguised drawings with a bonusn "Expert Mode" list full of even more challenging accessories to spot--ball caps, unicorn horns and even roller skates. To complete a page, color in each object as you find it. (Answer keys are available in the back, but no cheating!) • 1000+ hidden animals, edibles and objects to find and color within labyrinth-like designs • Alphabetically and numerically themed pages • Added "Expert Mode" for more challenging items to find • Colored-coded answer keys if you get stuck

This is not really a book. This is a building in the shape of a book...a maze. Each numbered page depicts a room in the maze. Tempted? Test your wits against mine. I guarantee that my maze will challenge you to think in ways you've never thought before. But beware. One wrong turn and you may never escape!

A maze book that features path-finding puzzles that have rules to follow - for example, you're not only allowed, you're actually encouraged to retrace your route.

To contain the Minotaur, the ancient artificer Daedalus crafted a maze so intricate that it bewildered even its maker. Contemporary medicine--'Hippocrates' Maze--is every bit as bewildering, so much so that a new and distinct field, bioethics, has been created to help professional caregivers, patients, and families navigate their way through it. In Nelson's typically inviting and graceful style, the essays collected in Hippocrates' Maze explore the labyrinth of contemporary health care, and arrive at some unusual findings about death and decisionmaking, justice and families, cloning and kinship, and organ donation and intimacy. However, the book's most distinctive conclusions concern bioethics itself: the field is not best seen solely as a source of good advice to doctors, but rather as a way of better understanding our humanity.

Professor Fellows presents a map of Ruskin's mind as it shifts from conditions of mastery to madness. In his study, he examines and transcribes the ways in which Ruskin observed his dislocation of imagination and shows how, in the very process of disintegration; he was enabled by his peculiar genius to transform the effects on his language and conceptualization into new forms of articulation under pain. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.