This book is a memoir written by Pierre Gilliard, the French language tutor to the five children of Emperor Nicholas II of Russia from 1905 to 1918. It was published following the Russian Revolution of 1917 and the execution of the Russian Imperial family. In this book, Gilliard described Tsarina Alexandra's torment over her son's hemophilia and her faith in the ability of starets Grigori Rasputin to heal the boy.

First published in 1921, this book contains the memoirs of Pierre Gilliard. Pierre Gilliard (1879 – 1962) was a Swiss author and academic famous for being the French language tutor of Russian Emperor Nicholas II's children between 1905 and 1918. Within these pages, Gilliard describes Tsarina Alexandra's sadness relating to her son's haemophilia and her belief in Grigori Rasputin's ability to help the boy. This volume constitutes a must-read for those with an interest in Russian history, and it would make for a fantastic addition to collections of related literature. Contents include: “My First Lessons at the Court (Autumn, 1905)”, “Alexis Nicolaievitch—Visits to the Crimea”, “I Begin my Duties as Tutor—The Czarevitch's Illness”, “The Czarina, Alexandra Feodorovna”, “Rasputin”, “Life at the Tsarskoie-Selo—My Pupils (The Winter of 1913-14)”, “Journeys to the Crimea and Rumania”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with the original text and artwork.

Features the full-text of "Thirteen Years at the Russian Court," a personal account of Russia under the rule of the Romanov family and the death of Tsar Nicholas II (1868-1918) and his family, written by Pierre Gilliard and provided online as part of the Russian History resource of Bob Atchison.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.