In 1942 German merchant Philipp Manes and his wife were ordered by the Nazis to leave their middle class neighborhood and go live in Theresienstadt, the only so-called "showpiece" ghetto of the Third Reich. This model ghetto was set up by the Nazis as a front to show the world that the Jews were being treated humanely. The ghetto was run by a council of Jewish elders, and organized like an idyllic socialist utopia with theatre groups and debating societies. All the while, this was just a holding post for Jews being shipped to forced labor and certain death at Auschwitz. Philipp Manes' intimate diary is filled with fascinating details of everyday life in the ghetto. Manes' voice brings us a step closer to understanding a little-known aspect of one of the most painful periods in the history of mankind.

An architect who made drawings of conditions at Therezienstadt reveals his experiences

Terezín, as it was known in Czech, or Theresienstadt as it was known in German, was operated by the Nazis between November 1941 and May 1945 as a transit ghetto for Central and Western European Jews before their deportation for murder in the East. Terezín was the last ghetto to be liberated, one day after the end of World War II. The Last Ghetto is the first in-depth analytical history of a prison society during the Holocaust. Rather than depict the prison society which existed within the ghetto as an exceptional one, unique in kind and not understandable by normal analytical methods, Anna Hájková argues that such prison societies that developed during the Holocaust are best understood as simply other instances of the societies human beings create under normal circumstances. Challenging conventional claims of Holocaust exceptionalism, Hájková insists instead that we ought to view the Holocaust with the same analytical tools as other historical events. The prison society of Terezín produced its own social hierarchies under which seemingly small differences among prisoners (of age, ethnicity, or previous occupation) could determine whether one ultimately lived or died. During the three and a half years of the camp's existence, prisoners created their own culture and habits, bonded, fell in love, and forged new families. Based on extensive archival research in nine languages and on empathetic reading of victim testimonies, The Last Ghetto is a transnational, cultural, social, gender, and organizational history of Terezín, revealing how human society works in extremis and highlighting the key issues of responsibility, agency and its boundaries, and belonging.

The first English-language edition of H. G. Adler's acclaimed account of the Jewish ghetto in the Czech city of Terezin.

Originally constructed in the 18th century as a military barracks by Austrian Emperor Joseph II, Theresienstadt (now Terezin) was used as a ghetto and concentration camp by the Nazis early in World War II in their ruse of peaceful resettlement of the Jews of Europe. Tens of thousands of inmates perished at the camp and many more were sent from there to die at Auschwitz and Treblinka. Presented in a two-fold format, this book features the poignant stories of individuals who were transported to Theresienstadt, as related by Holocaust survivor Vera Schiff, whose entire family was sent to the camp in 1942. Following each narrative, Schiff engages in a wide-ranging discussion with ethics professor Jeff McLaughlin regarding the events of the story, within the broader political, religious and cultural context of what is now the Czech Republic.

Original Scholarly Monograph

"It's a terrible feeling to see the fate of thousands of people dependent on a single person. . . . It seems like a mass judgment to me: life or death." On December 17, 1941, twenty-year-old Eva Mándlová arrived at the Nazi's "model" concentration camp, Theresienstadt. From that day until she was freed three and a half years later, she kept a diary. At times sweet and personal, at times agonized and profound, Eva is a human voice amidst inhuman evil. Through Eva's eyes, the camp sometimes "even resembles normal life," as she makes friends and talks with Benny, or Egon, or Otto. But at any moment, anyone may be "selected" for a transport to "Poland." No one ever returns from "Poland." Never before published, Eva's diary is a true-life Sophie's Choice in which each day brings impossible decisions. As a Gentile man inexplicably helps her, Eva must decide who should share her bounty. As close friends and loved ones are sent away, she has to decide, over and over again, whether to ask to join them on their final journey.