In 'Theory and Practice of Piano Construction', William Braid White takes readers on a journey through the evolution of the modern American pianoforte. While there have been many writers on the history and ancestry of the instrument, White's book provides an exposition of the correct principles of design in a form that possesses permanent value to the American manufacturer. The book analyzes each step in the making of a pianoforte, from the strings and resonance to the framing and mechanisms of percussion and touch. White's aim is to assist those who have already investigated, or who intend to investigate the whole problem, to a clearer and broader comprehension of a beautiful art.

This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.

This text book combines in one volume four major facets of the practical art and theory of piano tuning that students of the art must approach in formal training, and explains techniques that typically develop later in professional practice. These facets are the traditional model, the art itself, contemporary scientific descriptions, and the concept of musical temperament. Today, the 19th century traditional model of piano tuning still functions as a very basic map for the acoustical territory in which piano tuners work, but remains elementary and idealised. Modern acoustics can go much further in its descriptions than the 19th century model and is used in this book to elucidate the practical art, whilst carefully avoiding scientism. The book serves as an instruction and reference manual to advanced level on the practical art and its associated theory, and answers common questions raised by students about the actual soundscapes that are encountered in practice

While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.

The new edition of the leading textbook and most comprehensive source available for both practicing piano tuners and academic researchers, on the theory and practice of piano tuning. By the former Royal National College lecturer in Piano Technology and Tuning Theory. 680 pages, with over 300 illustrations and tables. The book covers in-depth theory and practice from elementary to advanced level. It answers common questions raised by students of piano tuning about the actual soundscapes and behaviour of piano tone that are encountered in tuning practice. It is suitable for both students and professionals of piano tuning, general readers, and academics with interdisciplinary interests in the subject. Includes: Why we need skilled piano tuners Intonation and tone The distance between theory and the art Theory of sound Temperament theory Elementary "traditional" tuning and beat rate theory What contemporary acoustics reveals What attenuation is, and why it is so important Beyond the 19th century model - How "beating" and "beat rates" really work Beyond the 19th century model - How tempered intervals really behave in fine tuning False beat phenomenon and its influence The effects of bridge coupling How real tone- envelopes behave in fine tuning Inharmonicity and small piano syndrome What octave stretching is, why, and how it works Setting the pin - the theory behind it and how to practice it Scale plasticity, logic, and tuning technique Psychoacoustics and how to listen Contents: Acknowledgments Piano tuning and this book Part 1 - Background Theory The invisible art and science The essential ideas Sound Temperament Theory "Traditional" piano tuning theory and elementary practice The soundscape, spectrum and tone Partial decay patterns Part 2 - Fine Tuning Practice Unison Tuning Tuning the Scale Octave tuning Setting the Pin Setting the pitch Small piano syndrome Hearing The Kirk Experiment Part 3 - Advanced Theory The single piano string in one plane The Weinreich Model Two strings, two planes The Trichord Further comments on false partials Inharmonicity Glossary of key concepts Select bibliography