This collection explores the theoretical and methodological foundations through which we understand Old Norse myths and the mythological world, and the medieval sources in which we find expressions of these. Some contributions take a broad, comparative perspective; some address specific details of Old Norse myths and mythology; and some devote their attention to questions concerning either individual gods and deities, or more topographical and spatial matters (such as conceptions of pagan cult sites). The elements discussed provide an introductory and general overview of scholarly enquiry into myth and ritual, as well as an attempt to define myth and theory for Old Norse scholarship. The articles also offer a rehabilitation of the comparative method alongside a discussion of the concept of 'cultural memory' and of the cognitive functions that myths may have performed in early Scandinavian society. Particular subjects of interest include analyses of the enigmatic god Heimdallr, the more well-known Oðinn, the deities, the female asynjur, and the 'elves' or alfar. Text-based discussions are set alongside recent archaeological discoveries of cult buildings and cult sites in Scandinavia, together with a discussion of the most enigmatic site of all: Uppsala in Sweden. The key themes discussed throughout this volume are brought together in the concluding chapter, in a comprehensive summary that sheds new light on current scholarly perspectives.

Whether they focus on Thor's powerful hammer, the wailing Valkyrie, the palatial home of the gods - Asgard - or ravenous wolves and fierce elemental giants, the Norse myths are packed with rowdy incident. But at the centre of their cosmos stands a gnarled old ash tree, Yggdrasil, from which all distances and times are measured. When the old tree creaks, Ragnarok - the end of the world and of the gods themselves - is at hand. It is from this tree that Odin, father of the gods, hanged himself in search of the wisdom of the dead: a disturbing image of divine sacrifice far removed from the feasting and fighting of his otherworld home, Valhalla. And an image so problematic for thirteenth century Christians that they left it out when they wrote the myths down. From Asgard to Valhalla is the first book to show how and why the Norse myths have so powerfully resonated from era to era: from Viking-age stories of ice and fire to the epic poetry of Beowulf; and from Wagner's Ring to Marvel Comics' Mighty Thor. Heather O'Donoghue, who is an expert on Old Norse culture, shows in what ways the Norse myths have impacted on the western mind, across the fields of literature, art, music and politics. She considers the wider contexts of Norse mythology, including its origins, medieval expression and reception in post-medieval societies right up to the present. From Asgard to Valhalla is a book that will intrigue and delight anyone who is keen to understand how the Norse myths have so profoundly shaped, and continue to shape, the western cultural heritage.

An innovative and accessible overview of how ancient Scandinavians understood and made use of their mythological stories. Old Norse Mythology provides a unique survey of the mythology of Scandinavia: the gods Þórr (Thor) with his hammer, the wily and duplicitous Óðinn (Odin), the sly Loki, and other fascinating figures. They create the world, battle their enemies, and die at the end of the world, which arises anew with a new generation of gods. These stories were the mythology of the Vikings, but they were not written down until long after the conversion to Christianity, mostly in Iceland. In addition to a broad overview of Nordic myths, the book presents a case study of one myth, which tells of how Þórr (Thor) fished up the World Serpent, analyzing the myth as a sacred text of the Vikings. Old Norse Mythology also explores the debt we owe to medieval intellectuals, who were able to incorporate the old myths into new paradigms that helped the myths to survive when they were no longer part of a religious system. This superb introduction traces the use of the mythology in ideological contexts, from the Viking Age until the twenty-first century, as well as in entertainment.

When seeking to understand the function of mythology in the pagan past and in medieval Iceland scholars are confronted with the problem of how sources from the Middle Ages can properly be used. The articles in this volume demonstrate diverse angles from which Old Norse mythological texts can be viewed. Many discuss methodological problems in dealing with the texts and draw on expertise from different fields of study such as history, philology, literary studies, and history of religions. The authors are all established experts in the field, but demonstrate new approaches to the study of Old Norse mythology, and offer insights into possible new directions for research.

An innovative and accessible overview of how ancient Scandinavians understood and made use of their mythological stories. Old Norse Mythology provides a unique survey of the mythology of Scandinavia: the gods Þórr (Thor) with his hammer, the wily and duplicitous Óðinn (Odin), the sly Loki, and other fascinating figures. They create the world, battle their enemies, and die at the end of the world, which arises anew with a new generation of gods. These stories were the mythology of the Vikings, but they were not written down until long after the conversion to Christianity, mostly in Iceland. In addition to a broad overview of Nordic myths, the book presents a case study of one myth, which tells of how Þórr (Thor) fished up the World Serpent, analyzing the myth as a sacred text of the Vikings. Old Norse Mythology also explores the debt we owe to medieval intellectuals, who were able to incorporate the old myths into new paradigms that helped the myths to survive when they were no longer part of a religious system. This superb introduction traces the use of the mythology in ideological contexts, from the Viking Age until the twenty-first century, as well as in entertainment.

Taking its cue from Robert A. Segal’s work, Explaining, Interpreting, and Theorizing Religion and Myth: Contributions in Honor of Robert A. Segal offers a set of essays by renowned scholars addressing the persisting question of how to approach religion and myth as academic categories.

A fresh look at the stories at the heart of Norse mythology, exploring their cultural impact up to the present day. This brilliantly original and accessible guide explores how Valhalla and its Valkyries have inspired our cultural landscape, from Wagner to the Marvel Universe. Carolyne Larrington’s elegantly written retellings capture the beauty of the original myths, while also delving deeper into the history of their meanings, offering the reader an intelligent and up-to-date take on these powerful stories. A ruggedly handsome blond man swings his huge hammer. Gaunt-faced figures with icicle crowns and frost-rimmed cheekbones march from the north through an endless winter. These strange supernatural figures might sound familiar—and also like creatures of myth and legend. Yet they haven’t stepped straight off the vellum of ancient manuscripts. Rather, these compelling characters are contemporary reimaginings of mythic figures from Old Norse mythology. All speak to our contemporary hopes and fears, bridging the gap between a vanished medieval past and a vibrant, living present. Larrington guides us on an enchanting journey through centuries of heroism, cruelty, and magic, while also exploring how these stories speak to the enduring human condition. This book is for anyone who wants a deeper understanding of Norse mythology and its cultural resonances through the centuries.