This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar’s contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar’s own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.

This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar’s contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar’s own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.

This collection of essays by distinguished authors explores the present-day field of theological aesthetics: from von Balthasar's contribution and parallel developments to correctives and alternatives to his approach. A tribute to von Balthasar's own project expands into a dialogue with ancient and medieval traditions in search of revelatory aesthetics. The contributors outline challenges to his approach (including Protestant perspectives) and introduce new ways of viewing the field of theological aesthetics, which ultimately opens up to the idea of concrete cultural contexts and practical human needs determining the use of the arts and aesthetic sensibilities in theology.

Critically assessing Balthasar's interpretation of scripture in The Glory of the Lord: A Theological Aesthetics, Dickens demonstrates the extent to which his approach to scripture abides by certain pre-modern interpretive conventions.

*Presents a rigorous reexamination of von Balthasars interpretation of major ancient and medieval texts*

opens with a critical review of developments in Protestant and Catholic theology since the Reformation which have led to the steady neglect of aesthetics in Christian theology. Then, von Balthasar turns to the central theme of the volume, the question of theological knowledge. He re-examines the nature of Christian believing, drawing widely on such theological figures as Anselm, Pascal and Newman.