There are certain phenomena, such as hypnosis, hysteria, multiple personality disorder, recovered memory syndrome, claims of satanic ritual abuse, alien abduction syndrome, and culture-specific disorders that, although common, are difficult to explain completely. The purpose of this volume is to apply a model of social relations to these phenomena in order to provide a different explanation for them. Wenegrat argues that they are socially constructed illness roles or purposive behavior patterns into which patients fall while receiving either unintentional or intentional cues during interactions with caretakers and authority figures. The application of the social-relations model raises some important, yet previously overlooked, questions about these phenomena. It also illustrates some important aspects of human nature and consciousness, places illness behaviors in their larger, cultural context, and shows the way to a new and different view of mental life.

By considering these claims and disorders in detail, this book introduces readers to a new view of thought and consciousness that will change the way readers see themselves and others."--Jacket.

A study of contemporary theatre from the perspective of chaos theatre and quantum mechanics.

In September of 1809 during the opening night of Macbeth at the newly rebuilt Covent Garden theatre the audience rioted over the rise in ticket prices. Disturbances took place on the following sixty-six nights that autumn and the Old Price riots became the longest running theatre disorder in English history. This book describes the events in detail, sets them in their wider context, and uses them to examine the interpenetration of theatre and disorder. Previous understandings of the riots are substantially revised by stressing populist rather than class politics. Baer concentrates on the theatricality of audiences, the role of the stage in shaping English self-image and the relationship between contention and consensus. In so doing, theatre and theatricality are rediscovered as explanations for the cultural and political structures of the Georgian period. Based on meticulous research in theatre and governmental records, newspapers, private correspondence, and satirical prints and other ephemera, this study is an unusually interesting and original contribution to the social and political history of early 19th-century Britain.

A study of blackface minstrels in the first half of the nineteenth century.

For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.

A thought-provoking and timeless volume, presenting Roman theater as the voice of the common citizen