Years n the making, here is the unforgettable life story of an African American Woman who brought joy to the whole world and changed the way people thought of themselves. She fought prejudice, suspicion, hatred, sadness, and all the things that drive people apart. Sister Thea Bowman, a pioneering leader of interracial relations, brought the experience of growing up a black girl in civil-rights-era Mississippi to a convent of white Catholic sisters in Wisconsin, and then to the world beyond. Her groundbraking work across the United States and overseas helping people to build interracial bridges during the 1980s has been the subject of numerous articles, books, and TV shows. 1980-1988. Thea is among the founders of the Institue for Black Catholic Studies at Xavier University in New Orleans, where she teaches untill 1988. She is also an annual speaker at the University of Mississippi's Faulkner Conference/

With every passing year since her death in 1990, more people are recognizing Sister Thea Bowman as one of the most inspiring figures in American Catholic history. This granddaughter of slaves became Catholic on her own initiative at the age of nine. As a Franciscan sister, she lived a wide-ranging ministry of joy, music, and justice. Now Father Maurice Nutt offers a new biography of Sister Thea that introduces her and sheds new light on who she was. Drawing on careful research and the insights of people who were close to her, Nutt explores her personality, her passion, her mission, and her prayer. He captures Thea Bowman as she was: an unapologetically African American woman, a religious sister who deeply loved God and the people to whom she ministered through teaching, preaching, and singing, and who embraced the blessing of her ancestry, the wisdom of the “old folks,” and a passion for justice and equality for all God’s children.

A novelist and short-story writer, Willa Cather is today widely regarded as one of the foremost American authors of the twentieth century. Particularly renowned for the memorable women she created for such works as My Antonia and O Pioneers!, she pens the portrait of another formidable character in The Song of the Lark. This, her third novel, traces the struggle of the woman as artist in an era when a woman's role was far more rigidly defined than it is today. The prototype for the main character as a child and adolescent was Cather herself, while a leading Wagnerian soprano at the Metropolitan Opera (Olive Fremstad) became the model for Thea Kronborg, the singer who defies the limitations placed on women of her time and social station to become an international opera star. A coming-of-age-novel, important for the issues of gender and class that it explores, The Song of the Lark is one of Cather's most popular and lyrical works. Book jacket.