ccording to Scripture, humankind was created in the image of God. Hoekema discusses the implications of this theme, devoting several chapters to the biblical teaching on God's image, the teaching of philosophers and theologians through the ages, and his own theological analysis. Suitable for seminary-level anthropology courses, yet accessible to educated laypeople. Extensive bibliography, fully indexed.

Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.

The World Created in the Image of Man investigates the development of the third dimension in painting from the dramatic moment when spatial construction becomes charged with an external force antagonistic to the effort of forms, or human figures, to preserve their permanence. The competitive contact between the external and internal worlds represented in the picture brings a vital element to the unfolding of art as it occurs in both the West and the East. As the analysis of masterpieces from different historical periods and cultures demonstrates here, this vital impulse becomes a necessary part of pictorial composition and the measure of the quality of the work of art. It can reveal itself in a limitless and disparate variety of subject matter: a scene from Japanese court life, as depicted in the illustrations of the early twelfth century to the novel The Tale of Genji; a representation of the maternal feeling of the Virgin anticipating the fate of her child in Byzantine icon painting; Raphael's «universal interior» in The School of Athens; Rembrandt's allegory of historic continuity in Aristotle with the Bust of Homer. The progression of this dynamic eventually leads to the surrender of form to space with the Impressionists; and to the conclusion of the book, which considers Postmodern art in the form of the installation, where the emphasis is put on the unprecedented role of the viewer as a component of the work, and which suggests an environment that is totally alien, or even hostile to him. Art historians, students of art history and the educated general reader with an interest in painting will find this book a rewarding and stimulating read.

Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.

At the time of Jesus' birth , the world was full of gods. Thousands of them jostled, competed and merged with one another. In Syria ecstatic devotees castrated themselves in the streets to become priests of Atargatis In Galilee, holy men turned oil into wine, healed the sick, drove out devils, and claimed to be the Messiah. Every day thousands of people were leaving their family and tribes behind them and flocking into brand new multi-ethnic cities. The ancient world was in ferment as it underwent the first phase of globalisation, and in this ferment rulers and ruled turned to religion as a source of order and stability. Augustus, the first emperor of Rome (though he never dared officially to call himself so) was maneuvering his way to becoming worshipped as a god – it was one of the most brilliant makeovers ever undertaken by a ruler and his spin doctors. In North Africa, Amanirenas the warrior queen exploited her god-like status to inspire her armies to face and defeat Rome. In China the usurper Wang Mang won and lost his throne because of his obsession with Confucianism. To explore the power that religious belief has had over societies through the ages, Selina O'Grady takes the reader on a dazzling journey across the empires of the ancient world and introduces us to rulers, merchants, messiahs, priests and holy men. Throughout, she seeks to answer why, amongst the countless religious options available, the empires at the time of Jesus ‘chose' the religions they did? Why did China's rulers hitch their fate to Confucianism, a philosophy more than a religion? And why was a tiny Jewish cult led by Jesus eventually adopted by Rome's emperors rather than the cult of Isis which was far more popular and widespread? The Jesus cult , followed by no more than 100 people at the time of his death, should, by rights, have disappeared in a few generations. Instead it became the official religion of the Roman Empire. Why did Christianity grow so quickly to become the predominant world religion? What was it about its teachings that so appealed to people? And Man Created God looks at why and how religions have had such an immense impact on human history and in doing so uncovers the ineradicable connection between politics and religion - a connection which still defines us in our own age. This is an important, thrilling and necessary new work of history.

Henri Blocher argues that our primary task in the quest for origins is to discover what the opening chapters of Genesis originally meant. Taking into account a vast array of scholarship, Blocher provides a detailed study of creation week, the image of God, the significance of gender, the garden covenant, the Fall and more.

There are other books on Creation and dealing with the issues of Genesis 1, but this one is different. Rick Phillips takes us through the first chapter of Genesis with an absolute confidence that this is the plain, accurate Word of God, describing creation in six literal days of 24 hours. He looks at the alternatives offered and explains clearly and simply why they are inadequate. The science-based criticisms of the Word of God are considered and dealt with. The language used is accessible to most readers, and at each stage the Gospel is clearly explained. Christians generally will find this book a great encouragement amidst the deluge of pro-evolution propaganda, school students will find themselves strengthened to take a biblical stand against the pressures of the education system. If your evangelistic outreach leads you to someone who wants a clear and rational explanation of why the Bible should believed over against the common understanding of evolution presented in the media, this is the book to give them.