USA TODAY BESTSELLER * MARY HIGGINS CLARK AWARD NOMINEE * 2022 BOOKPAGE BEST MYSTERIES AND SUSPENSE * LIBRARY READS TOP 10 BOOKS OF 2022 * CRIME READS BEST NEW CRIME FICTION "Investigations are launched, fingers are pointed, potentially dangerous liaisons unfold and I was turning those pages like there was cake at the finish line." —Moira Macdonald, Seattle Times must-read books for summer 2022 Ned Kelly award winning author Sulari Gentill sets this mystery-within-a-mystery in motion with a deceptively simple, Dear Hannah, What are you writing? pulling us into the ornate reading room at the Boston Public Library. In every person's story, there is something to hide... The tranquility is shattered by a woman's terrified scream. Security guards take charge immediately, instructing everyone inside to stay put until the threat is identified and contained. While they wait for the all-clear, four strangers, who'd happened to sit at the same table, pass the time in conversation and friendships are struck. Each has his or her own reasons for being in the reading room that morning—it just happens that one is a murderer. Sulari Gentill delivers a sharply thrilling read with The Woman in the Library, an unexpectedly twisty literary adventure that examines the complicated nature of friendship and shows us that words can be the most treacherous weapons of all. What readers are saying about The Woman in the Library: "I loved this intelligent, high tension, addictive, unputdownable book so much!" "I ABSOLUTELY LOVED IT!" "This is a smart, well-written whodunit with an interesting cast of characters and a well-developed plot." "A murder mystery that starts off in a crowded library full of book lovers? SIGN ME UP!" "What an outstanding job and literary work in the crime-fiction genre!"

Examining the personal library and the making of self When writer Edith Wharton died in 1937, without any children, her library of more than five thousand volumes was divided and subsequently sold. Decades later, it was reassembled and returned to The Mount, her historic Massachusetts estate. What a Library Means to a Woman examines personal libraries as technologies of self-creation in modern America, focusing on Wharton and her remarkable collection of books. Sheila Liming explores the connection between libraries and self-making in late nineteenth- and early twentieth-century American culture, from the 1860s to the 1930s. She tells the story of Wharton’s library in concert with Wharton scholarship and treatises from this era concerning the wider fields of book history, material and print culture, and the histories (and pathologies) of collecting. Liming’s study blends literary and historical analysis while engaging with modern discussions about gender, inheritance, and hoarding. It offers a review of the many meanings of a library collection, while reading one specific collection in light of its owner’s literary celebrity. What a Library Means to a Woman was born from Liming’s ongoing work digitizing the Wharton library collection. It ultimately argues for a multifaceted understanding of authorship by linking Wharton’s literary persona to her library, which was, as she saw it, the site of her self-making.

Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.