Matthew M. Bartlett, author of Gateways to Abomination, is back with The Witch-Cult in Western Massachusetts. A cross between Roberto Bolaño's Nazi Literature in the Americas and Gardinel's Real Estate by Orrin Grey and M.S. Corley, this slender volume consists of 13 bite-sized fictional biographies, each accompanied by a chilling illustration by the masterful Alex Fienemann. Meet Stanley Malanson, who had a curious rapport with felines. Meet Abrecan Geist, who endeavored to take revenge on a capricious God. Meet Minerva LaBrie, who abandoned Wicca in favor of a dark and blasphemous alternative. Meet Jebediah Blackstye, who crossed a line with his beloved familiar, a toad with revolting powers. These are but four of the practitioners of black magic who have made their homes in the cities and towns of Western Massachusetts. Read of sumptuous feasts gone to rot, of a corrupted priest who dared unleash his venomous platitudes over the common airwaves, of a powerful sorcerer born at the intersection of Blood and Stone. Open your hearts to the Witch-Cult in Western Massachusetts.

The Witch-Cult in Western Europe is a 1921 anthropological book by Margaret Murray, on The witch-cult hypothesis. A now largely discredited discredited theory that the witch trials of the Early Modern period were an attempt to suppress a pre-Christian, pagan religion that had survived the Christianisation of Europe. According to its proponents, this witch-cult revolved around the worship of a Horned God of fertility whom the Christian persecutors referred to as the Devil, and whose members participated in nocturnal rites at the witches' Sabbath in which they venerated this deity. Thank you very much for looking at a book by One-Eye Publishing, we hope you enjoy it! We are always adding to our catalogue, so please check back or find us online! Happy reading!

The mass of existing material on this subject is so great that I have not attempted to make a survey of the whole of European Witchcraft but have confined myself to an intensive study of the cult in Great Britain. In order, however, to obtain a clearer understanding of the ritual and beliefs I have had recourse to French and Flemish sources, as the cult appears to have been the same throughout Western Europe.

Witches and Warlocks of Massachusetts is a collection of legends and historical accounts about witches and warlocks from the Bay State. Organized by region, city and town, the book's dozens of stories include the earliest Puritan accounts of 17th century witches, urban legends about desolate locations haunted by ghostly witch hunt victims, tales of Cape Cod sailors battling witches, and other stories of sinister (and sometimes sympathetic) spellcasters. Massachusetts has a rich history of witchcraft that spans nearly four centuries. Most people are aware of the Salem witch trials but fewer know about the Dogtown witches, the Pepperell farmer who hired a hypnotist to save his bewitched daughter, or Half-Hanged Mary, the witch who died twice and inspired The Handmaid's Tale. These stories are known locally in the towns where they occurred but have never been collected into one book before.

This celebrated study of witchcraft in Europe traces the worship of the pre-Christian and prehistoric Horned God from paleolithic times to the medieval period. Murray, the first to turn a scholarly eye on the mysteries of witchcraft, enables us to see its existence in the Middle Ages not as an isolated and terrifying phenomenon, but as the survival of a religion nearly as old as humankind itself, whose devotees held passionately to a view of life threatened by an alien creed. The findings she sets forth, once thought of as provocative and implausible, are now regarded as irrefutable by folklorists and scholars in related fields. Exploring the rites and ceremonies associated with witchcraft, Murray establishes the concept of the "dying god"--the priest-king who was ritually killed to ensure the country and its people a continuity of fertility and strength. In this light, she considers such figures as Thomas a Becket, Joan of Arc, and Gilles de Rais as spiritual leaders whose deaths were ritually imposed. Truly a classic work of anthropology, and written in a clear, accessible style that anyone can enjoy, The God of the Witches forces us to reevaluate our thoughts about an ancient and vital religion.