Although grief is at the forefront of these poems, The Wild Delight of Wild Things is a simple love letter to Turner's late wife, poet Ilyse Kusnetz (1966-2016). The poems are also a love letter to our planet during the ongoing sixth mass extinction. Intertwining this immense grief, Turner explores the hybrid borderlands of genre, and the meditations on love and loss blur the boundaries between poetry and lyric prose. In Italian, the word "stanza" is rooted in the word "room." And so, stanza by stanza, room by room, page by page, we draft ourselves forward into the imagination, our arms filled with all that we can carry from the days gone by. This is the art of survival. Profound grief teaches us how to dwell in the house of memory—that vibrant temporal landscape of the past—where we might live with the dead we love once more.

Stubborn, self-reliant, eleven-year-old Zoe, recently orphaned, moves to the country to live with her prickly half-uncle, a famous doctor and sculptor, and together they learn about trust and the strength of family.

Binghamton

The Wild Things by Dave Eggers is the novelisation of Maurice Sendak's classic Max likes to make noise, get dirty, ride his bike without a helmet and howl like a wolf. In any other age he would have just been considered a boy. These days he is considered wilful and deranged. After a row with his mother, Max runs away. He jumps into a boat and sails across the ocean to a strange island where giant and destructive beasts reign - the Wild Things. After almost being eaten, Max gains their trust, and he is made their king. But what will he do with the responsibility? 'A life-affirming delight' GQ 'Compelling, fantastical, engrossing' Shortlist 'Let the wild rumpus start!' Grazia

Moving between the scriptures of the Qur’an and the Bible, these poems explore the complexities and spectacles of gender, faith, and family by unraveling the age-old idea that seeing is believing. Navigating both scripture and culture, the poems in Theophanies work to spin miracles from the mundanities of desire and violence. Through art and music, Pakistani history, and scriptural stories, these poems struggle to envision a true self and speak back against time to the matriarchs of the larger Abrahamic faiths, the mothers at the heart of sacred history Stitched through these poems is longing—for mothers, angels, and signs from the divine. Theophanies asks: is seeing really believing, and is believing belonging? The speaker seeks to understand her own, bewildering “I,” to use it with reverence, and to mythologize herself and all mothers to ensure their survival in a male-dominated world hard at work erasing them In the absence of matrilineal elders in her family, the speaker turns to the archetypal “mother of nations” for whom she is named, Sarah, and her sent-away “sister,” Hajar. What does it mean to have a woman’s body when that body has been hailed a vessel for the divine? Theophanies arises from the speaker’s tenuous grip on her own faith while navigating the colonial legacy of Partition and inherited patriarchal expectations of womanhood.

Following the loose series of Turner’s other recent 2023 publications, The Wild Delight of Wild Things and The Goodbye World Poem, this third book in this “collection” serves as a poetic guide to help us navigate the world we live in. The Dead Peasant’s Handbook begins with the difficulty and hardship of living in the world after losing a loved one before allowing oneself to gravitate again towards delight and wonder. With deep dives into history, the poems traverse the wild terrain of our lives, and it remains ever-constant to the theme at the core of all three recent books—that of love and loss. The poems take their structure from guidebooks, featuring subject areas connected to the general experience of being human: war and conflict, dreams, love and loss, and survival. The book itself takes its title from an insurance industry policy (“Dead Peasants”) in which companies can take out insurance on their workforce in case of loss or death—sometimes without employees knowing. And so, this book is also a commentary on the people and moments that are too often elided over and given the vault of silence, and maybe lost to time.

In Wild Things, Wild Places actress, author, and conservationist Jane Alexander offers a moving first-hand assessment of what is being done to help the planet’s most at risk animals. In short reflections on her travels to some of the most remote and forbidding areas, she describes the ways in which human incursions into the natural world are destroying wildlife around the globe. With a clear eye and a keen grasp of the issues, Alexander highlights the remarkable work being done in the fields of science and conservation, and introduces readers to the field biologists, zoologists, environmentalists, and conservationists—the “prophets in the wilderness”—who have committed themselves to this essential effort. Inspiring and enlightening, Wild Things, Wild Places is a deeply personal look at the changing face of wildlife on planet Earth.