Rediscover the golden age of the Western with this collection of four unforgettable novels of honor, adventure, and violence set against the magnificent landscapes of the American frontier The heroic exploits and violent struggles of the Old West come alive once more through this one-of-a-kind collection of four thrilling novels. Edited by Ron Hansen, this deluxe hardcover edition shows that the 1940s and 1950s was a golden age for the Western novel. In the Pulitzer Prize-winning The Ox-Bow Incident, Walter van Tilburg Clark explores the thin line between civilization and barbarism through the story of a lynch mob that targets three innocent men, exposing a dark authoritarian impulse at work the American frontier. Set in Wyoming in 1889, a time when ranchers and cattle companies waged war with each other, Jack Schaefer's iconic Shane deploys many of the genre's most essential elements, brilliantly filtered through a boy's perceptions. Alan Le May's The Searchers, the basis for John Ford's cinematic masterpiece starring John Wayne, follows the dogged quest of two men to rescue a young girl taken prisoner by Comanche warriors. And Oakley Hall's Warlock, a novel that anticipates the later books of Cormac McCarthy and Larry McMurtry, casts the battle for control of a southwestern outpost as a bloody saga pitting a marauding gang of cowboys and rustlers against the town's defenders, led by the legendary gunslinger Clay Blaisedell. All four novels were memorably adapted for the screen, and their gripping stories--told with brisk narrative energy, psychological depth, and laconic humor--have contributed unforgettably to the Western's enduring legacy in American culture.

From the author of The Haunting of Hill House and We Have Always Lived in the Castle, four classic novels of subtle psychological horror. Shirley Jackson--the beloved author of The Lottery, The Haunting of Hill House, and We Have Always Lived in the Castle--is more and more being recognized as one of the finest writers of the American gothic tradition, a true heir of Edgar Allan Poe and Henry James. Now, Jackson's award-winning biographer Ruth Franklin gathers the subtle, chilling, hypnotic novels with which she began her unique career. Her haunting debut tale The Road Through the Wall (1948) explores the secret desires, petty hatreds, and ultimate terrors that lurk beneath the picture-perfect domesticities of a suburban California neighborhood. In Hangsaman (1951)--inspired by the real-life disappearance of a Bennington College sophomore--the precocious but lonely Natalie Waite grows increasingly dependent on an imaginary friend. The Bird's Nest (1954) has not one but four protagonists: the shy, demure young Elizabeth and, revealed with a series of surprising twists, her other, multiple personalities. At the beginning of The Sundial (1958), the eccentric Halloran clan, gathered at the family manse for a funeral, becomes convinced that the world is about to end and that only those who remain in the house shall be saved. In what is perhaps her most unsettling novel, Jackson follows their crazed, violent preparations for the afterlife. Here is the perfect companion to Shirley Jackson: Novels & Stories, Library of America's edition of Jackson's landmark story collection, The Lottery, and her brilliant late novels The Haunting of Hill House and We Have Always Lived in the Castle.

Set in 1885, The Ox-Bow Incident is a searing and realistic portrait of frontier life and mob violence in the American West. First published in 1940, it focuses on the lynching of three innocent men and the tragedy that ensues when law and order are abandoned. The result is an emotionally powerful, vivid, and unforgettable re-creation of the Western novel, which Clark transmuted into a universal story about good and evil, individual and community, justice and human nature. As Wallace Stegner writes, [Clark's] theme was civilization, and he recorded, indelibly, its first steps in a new country.

Shane rides into the valley where Bob Starrett's family lives, and Bob, 15, tells about Shane's winning ways.

In their own voices, the full story of the women and men who struggled to make American democracy whole With a record number of female candidates in the 2020 election and women's rights an increasingly urgent topic in the news, it's crucial that we understand the history that got us where we are now. For the first time, here is the full, definitive story of the movement for voting rights for American women, of every race, told through the voices of the women and men who lived it. Here are the most recognizable figures in the campaign for women's suffrage, like Elizabeth Cady Stanton and Susan B. Anthony, but also the black, Chinese, and American Indian women and men who were not only essential to the movement but expanded its directions and aims. Here, too, are the anti-suffragists who worried about where the country would head if the right to vote were universal. Expertly curated and introduced by scholar Susan Ware, each piece is prefaced by a headnote so that together these 100 selections by over 80 writers tell the full history of the movement--from Abigail Adams to the 1848 Declaration of Sentiments to the ratification of the Nineteenth Amendment in 1920 and the limiting of suffrage under Jim Crow. Importantly, it carries the story to 1965, and the passage of the Voting and Civil Rights Acts, which finally secured suffrage for all American women. Includes writings by Ida B. Wells, Mabel Lee, Margaret Fuller, Sojourner Truth, Frances Ellen Watkins Harper, Frederick Douglass, presidents Grover Cleveland on the anti-suffrage side and Woodrow Wilson urging passage of the Nineteenth Amendment as a wartime measure, Jane Addams, and Charlotte Perkins Gilman, among many others.

Now a major motion picture starring Nicolas Cage and directed by Gabe Polsky. In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America. It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

This “sort of detective story” by the New York Times bestselling novelist offers “farcical, reflective, luscious, gritty [and] stylish entertainment” (The New York Times). As a Boy Scout, Johnny Lundgren was given the nickname Warlock. Now, at forty-two years of age, Johnny has decided to take up that moniker again. It might be an odd name for an unemployed business executive living in Traverse City, Michigan. But perhaps it fits his new job working for an eccentric doctor as a personal trouble-shooter and private investigator. Warlock suddenly finds himself on a range of bizarre assignments—everything from battling poachers in the haunted wilderness of northern Michigan to investigating his employer’s wife and son in the seamy underside of Key West. A comedy with one foot in the abyss, Warlock is “a rich and sparkling novel” by one of America’s most critically acclaimed authors. “Contemporary macho in a funhouse mirror . . . a hybrid born out of Faulkner’s dark hero of Satoris and all the Buster Keaton comedy that we love.”—Los Angeles Herald Examiner