During his storied career as the quintessential New York photojournalist, Weegee explored the city's least glamorous pockets, depicting brutal crimes, horrific accidents, tenement dwellers, street vendors, and mischievous kids. And although his perspective was often dark and cynical, he was also tremendously sentimental about his subjects' hard lives. This unique guide offers a series of excursions through Weegee's stamping grounds, from the Bowery to Midtown, the West Side to the East, and with a little Brooklyn thrown in. Divided into eleven neighbourhood sections, it includes contemporary and period maps to aid the intrepid explorer or casual rambler as they retrace Weegee's steps from murder scene to car wreck to street fight. Best of all, it features hundreds of photographs - many never-before published and all drawn from the archives of the International Center of Photography - that reinforce Weegee's lasting vision of New York as a city both tough and resilient, a city that never sleeps. Published in association with International Center of Photography. AUTHORS: Philomena Mariani is the director of Publication at the International Center of Photography and co-editor of Hiroshima: Ground Zero 1945. Christopher George is an archivist and resident expert on Weegee at the international Center of Photography. 270 photographs

The first comprehensive biography of Weegee—photographer, “psychic,” ultimate New Yorker—from Christopher Bonanos, author of Instant: The Story of Polaroid. Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee,” claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied. From self-taught immigrant kid to newshound to art-world darling to latter-day caricature—moving from the dangerous streets of New York City to the celebrity culture of Los Angeles and then to Europe for a quixotic late phase of experimental photography and filmmaking—Weegee lived a life just as worthy of documentation as the scenes he captured. With Flash, we have an unprecedented and ultimately moving view of the man now regarded as an innovator and a pioneer, an artist as well as a newsman, whose photographs are among most powerful images of urban existence ever made.

Offers a collection of photographs by the controversial photojournalist that chronicles the seamy underside of life in New York City, from the 1930s to the 1960s. Reprint.

The ultimate collection of Weegee's shocking tabloid photographs, from the ultimate tabloid city.

Joseph Byron and James Van Der Zee to Henri Cartier-Bresson, Diane Arbus, Elliott Erwitt, Larry Fink, Nan Goldin, Stanley Kubrick, Ryan McGinley, Bruce Davidson and many more of the best photographers to ever capture New York City when the sun goes down and the bright lights come on are collected here! New York at Night: Photography after Dark, showcases images of New York City's legendary nightlife by the leading photographers of the 20th and 21st centuries, from Joseph Byron and James Van Der Zee to Henri Cartier-Bresson, Diane Arbus, Elliott Erwitt, Larry Fink, and more. As diverse and complicated as the city itself, New York's nightlife is glamorous and grungy, lonely and dangerous, highbrow and lowbrow. These images are complimented by writing from some of New York's most respected contemporary authors, adding depth, context, and personal stories of their own experiences to those presented by the photographers. This engaging book captures the energy of the New York night and the city's evolving hotspots, building a history of how New Yorkers play after dark and how that helps make this city a cultural and entertainment powerhouse. Photographers featured within the book include: Berenice Abbott, Apeda Studio, Amy Arbus, Diane Arbus, Eve Arnold, Richard Avedon, John Baeder, Frank Bauman, Guy Bourdin, Bonnie Briant, Paul Brissman, Rene Burri, Joseph Byron, Cornell Capa, Drew Carolan, Henri Cartier-Bresson, Bob Colacello, John Cohen, Ted Croner, Bruce Davidson, Philip-Lorca diCorcia, Elliott Erwitt, Walker Evans, Louis Faurer, Donna Ferrato, Larry Fink, Robert Frank, Lee Friedlander, Paul Fusco, Ron Galella, William Gedney, Bruce Gilden, Burt Glinn, Nan Goldin, William P. Gottlieb, Samuel H. Gottscho, Charles Harbutt, Phillip Harrington, Paul B. Haviland, Thomas Hoepker, Evelyn Hofer, Jenny Holzer, Peter Hujar, Douglas Jones, Sid Kaplan, William Klein, Stanley Kubrick, Collin LaFleche, Elliott Landy, Annie Leibovitz, Joan Liftin, Peter Lindbergh, Roxanne Lowit, Alex Majoli, Fred McDarrah, Ryan McGinley, Susan Meiselas, Lisette Model, Inge Morath, Helmut Newton, Toby Old, Paolo Pellegrin, Iriving Penn, Gilles Peress, Anton Perich, Hy Peskin, Jean Pigozzi, Sylvia Plachy, Robin Platzer, Eli Reed, Jacob Riis, Arthur Rothstein, Damien Saatdjian, Lise Sarfati, Paule Saviano, Norman Seeff, Neil Selkirk, Sam Shaw, Aaron Siskind, Dennis Stock, Erika Stone, Christopher Thomas, Peter Van Agtmael, James Van Der Zee, Weegee, and Garry Winogrand.

World Film Locations: New York is a visually compelling and incisively written examination, and celebration, of New York's unique place in cinema. Essays focusing on quintessential New York filmmakers like Woody Allen, Martin Scorsese and those of the Beat movement are presented alongside others on key features of the New York landscape and role of the city in the imaginations of filmmakers and viewers. Over 45 reviews of location-specific scenes from films made and set in New York present a varied and thought-provoking collage of the city onscreen. Some scenes are iconic - King Kong scaling the Empire State Building - while others show the often un-discussed extent of New York's role in filmmaking. The book is illustrated throughout with evocative, scene-specific screengrabs, stills of filming locations as they appear now and city maps that include location information for those keen to follow the 'cinematic trail' of this most photographed city, making World Film Locations: New York a guide for film fans wishing to tour New York either physically or in the imagination.

Published to accompany an exhibition held at International Center of Photography, New York, 9 June - 27 August 2006.