A stunning new collection from a poet who “made her name a watchword for serenity and poise” (Contemporary Poetry Review). In Elizabeth Spires's sixth collection of poetry, the pilgrim soul, in its various guises, meditates on its own slow becoming, finding humble companions in creatures as unlikely as a lowly snail, a prehistoric coelacanth, or a tiny Japanese netsuke of a badger disguised as a monk. For Spires, life is both a pilgrimage and a deepening—birth, death, and transformation all part of a seamless continuum. Possessed of a calm, crystalline sense of eternity, her poems invite fellow travelers to sit for a little while and be cleansed of the dust of existence.

A collection of seventy-six poems inspired by poet Wallace Steven's life and work, written by a variety of modern poets.

From the diary of daddyless daughters, 25 different women reveal their pain, struggles, and breakthroughs growing up without their father present. Each daughter strives to break their silence and shed their hurt as they attempt to bring understanding to absent fatherhood and its lasting effects on young women.

Zen-infused meditations on the limitations of memory, mortality, and the boundaries of human existence. In A Memory of the Future, critically acclaimed poet Elizabeth Spires reflects on selfhood and the search for a core identity. Inspired by the tradition of poetic interest in Zen, Spires explores the noisy space of the mind, interrogating the necessary divide between the social persona that navigates the world and the artist’s secret self. With vivid, careful attention to the minute details of everyday moments, A Memory of the Future observes, questions, and meditates on the ordinary, attempting to make sense of the boundaries of existence. As the poems move from Zen reflections outward into the identifiable worlds of Manhattan, Maine, and Maryland’s Eastern shore, houses, both real and imagined, become metaphorical extensions of the self and psyche. These poems ask the unanswerable questions that become more pressing in the second half of life. How are we changed by the passage of time? How does memory define and shape us? As Spires reminds us, any memory of the future will become, paradoxically, a memory of the past, and of forgetting.

One of Ashbery’s most acclaimed and beloved collections since Self-Portrait in a Convex Mirror, filled with his signature wit and generous intelligence The poems in John Ashbery’s award-winning 1984 collection A Wave address the impermanence of language, the nature of mortality, and the fluidity of consciousness—matters of life and death that in other hands might run the risk of sentimentality. For John Ashbery, however, these considerations provide an opportunity to display his prodigious poetic gifts: the unerring ear for our evolving modern language and its ever-expanding universe of meanings, the fierce eye trained on glimmers underwater, and the wry humor that runs through observations both surprising and familiar. As the poem “The Path to the White Moon” has it, “We know what is coming, that we are moving / Dangerously and gracefully / Toward the resolution of time / Blurred but alive with many separate meanings / Inside this conversation.” The long title poem of A Wave, which closes the book, is considered one of Ashbery’s most distinguished works, praised by critic Helen Vendler for its “genius for a free and accurate American rendition of very elusive inner feelings, and especially for transitive states between feelings.” Winner of both the Lenore Marshall Poetry Prize and the Bollingen Prize, this book is one to be read, reread, and remembered.