The events surrounding the famous battle between the Greeks and the Trojans are told from the points of view of two women, the beautiful Helen and the prophetic Cassandra.

The relentlessly self-promoting amateur archaeologist Heinrich Schliemann took full credit for discovering Homer's Troy over one hundred years ago, and since then generations have thrilled to the tale of his ambitions and achievements. But Schliemann gained this status as an archaeological hero partly by deliberately eclipsing the man who had launched his career. Now, at long last, Susan Heuck Allen puts the record straight in this fascinating archaeological adventure that restores the British expatriate Frank Calvert to his rightful place in the story of the identification and excavation of Hisarlík, the site now thought to be Troy as described in the Iliad. Frank Calvert had lived in the Troad—in the northwest corner of Asia Minor—excavating there for fifteen years before Schliemann arrived and learning the local topography well. He was the first archaeologist to test the hypothesis that Hisarlík was the Troy of Hector and Helen. So that he would have unrestricted access to the site, he purchased part of the mound and was the first archaeologist to conduct excavations there. Running out of funds, he later interested Schliemann in the site. The thankless Schliemann stole Calvert's ideas, exploited his knowledge and advice, and finally stole Calvert's glory, in part by slandering him and denigrating his work. Allen corrects the record and does justice to a man who was a victim of his own integrity while giving a balanced treatment of Schliemann's true accomplishments. This meticulously researched book tells the story of Frank Calvert's development as an archaeologist, his adventures and discoveries. It focuses on the twists and turns of his turbulent relationship with the perfidious Schliemann, the resulting gains for archaeology, and the successful conclusion of their common quest. Allen has brought together a wide range of relevant published material as well as unpublished sources from archives, diaries, letters, and personal interviews to tell this gripping story.

MA1 Iskander Ayhan’s orders are simple: stay with Admiral Dalton’s son as his plainclothes bodyguard while he attends university classes. So typical—a high-ranking officer abusing Navy resources for unnecessary security as a status symbol. But it doesn’t take long before Iskander realizes he’s not really there to protect the kid from benign harassment by homophobic classmates. Behind the piercings, eyeliner, and bad attitude, Troy Dalton is hiding something. He’s scared, and although he’s not so sure the armed bodyguard by his side is enough to keep him safe, he can’t risk revealing the truth. Slowly, Iskander gains Troy’s trust, and the walls start coming down, but before they know it, the two men are way too close to each other… and suddenly Iskander is attracting more danger to the man he’s sworn to protect. Now he doesn’t know how to keep Troy safe from harm—by staying close to him, or getting as far away from him as possible. This 74,000 word novel was previously published.

In this perceptive retelling of The Iliad, a young Greek teacher draws on the enduring power of myth to help her students cope with the terrors of Nazi occupation. Bombs fall over a Greek village during World War II, and a teacher takes her students to a cave for shelter. There she tells them about another war—when the Greeks besieged Troy. Day after day, she recounts how the Greeks suffer from thirst, heat, and homesickness, and how the opponents meet—army against army, man against man. Helmets are cleaved, heads fly, blood flows. And everything had begun when Prince Paris of Troy fell in love with King Menelaus of Sparta's wife, the beautiful Helen, and escaped with her to his homeland. Now Helen stands atop the city walls to witness the horrors set in motion by her flight. When her current and former loves face each other in battle, she knows that, whatever happens, she will be losing. Theodor Kallifatides provides remarkable psychological insight in his version of The Iliad, downplaying the role of the gods and delving into the mindsets of its mortal heroes. Homer's epic comes to life with a renewed urgency that allows us to experience events as though firsthand, and reveals timeless truths about the senselessness of war and what it means to be human.

Homeric Durability investigates the concepts of time and decay in the Iliad. Through a framework informed by phenomenology and psychology, Lorenzo Garcia argues that, in moments of pain and sorrow, the Homeric gods are themselves defined by human temporal experience, and so the epic tradition cannot but imagine its own eventual disintegration.