‘Heady and rambunctious ... Wake up, this book says: in its plot lines, in its humour, in its philosophical underpinnings and political agenda. I'll pay it the highest compliment it knows – this book is a wild thing.’ New York Times Book Review

The incredible breakout novel by one of the sharpest, funniest, most inventive writers of our time. “Who is Nell Zink? She claims to be an expatriate living in northeast Germany. Maybe she is; maybe she isn’t. I don’t know. I do know that this first novel arrives with a voice that is fully formed: mature, hilarious, terrifyingly intelligent, and wicked. The novel is about a bird-loving American couple that moves to Europe and becomes, basically, eco-terrorists. This is strange, and interesting, but in between is some writing about marriage, love, fidelity, Europe, and saving the earth that is as funny and as grown-up as anything I’ve read in years. And there are some jokes in here that a young Don DeLillo would kill to have written. I hope he doesn’t kill Nell Zink.” (Keith Gessen)

While helping her granny Collette evacuate to a makeshift shelter in Brooklyn during Superstorm Sandy, Lily uncovers secrets of her grandmother's past as a member of the French Resistance during WWII. Queens, 2012. Hurricane Sandy is flooding New York City, and Lily is at a nursing home with her grandmother, Collette. Lily visits Collette often, as she is beginning to lose her memories. When the National Guard shows up to evacuate the building and take them to safety at the Park Slope armory in Brooklyn, Lily's granny suddenly produces a red box she's hidden in a closet for years. Once they get to safety, Lily opens the box, where she finds an old, beautiful Montblanc pen. Granny tells Lily that the pen is very important and that she has to take care of it, as well as some letters written in French. But Lily loses the pen in the course of helping other nursing home residents, and as she searches the city trying to find it, she learns more about her grandmother's past in France and begins to uncover the significance of the pen with the help of her best friend, a quirky pen expert, and a larger-than-life, off-Broadway understudy. Told in alternating sections (2012 and 1944), this engaging book explores a deep friendship during difficult times and the importance of family.

LONGLISTED FOR THE 2015 NATIONAL BOOK AWARD A sharply observed, mordantly funny, and startlingly original novel from an exciting, unconventional new voice—the author of the acclaimed The Wallcreeper—about the making and unmaking of the American family that lays bare all of our assumptions about race and racism, sexuality and desire. Stillwater College in Virginia, 1966. Freshman Peggy, an ingénue with literary pretensions, falls under the spell of Lee, a blue-blooded poet and professor, and they begin an ill-advised affair that results in an unplanned pregnancy and marriage. The two are mismatched from the start—she’s a lesbian, he’s gay—but it takes a decade of emotional erosion before Peggy runs off with their three-year-old daughter, leaving their nine-year-old son behind. Worried that Lee will have her committed for her erratic behavior, Peggy goes underground, adopting an African American persona for her and her daughter. They squat in a house in an African-American settlement, eventually moving to a housing project where no one questions their true racial identities. As Peggy and Lee’s children grow up, they must contend with diverse emotional issues: Byrdie deals with his father’s compulsive honesty; while Karen struggles with her mother’s lies—she knows neither her real age, nor that she is “white,” nor that she has any other family. Years later, a minority scholarship lands Karen at the University of Virginia, where Byrdie is in his senior year. Eventually the long lost siblings will meet, setting off a series of misunderstandings and culminating in a comedic finale worthy of Shakespeare.

‘Nell Zink is a writer of extraordinary talent and range. Her work insistently raises the possibility that the world is larger and stranger than the world you think you know.’ Jonathan Franzen Startlingly radical, dazzlingly witty, unlike anything that has come before – these are the two most exciting novels published this year.

One of Huffington Post’s 20 Fall 2016 Books You’ll Need for Your Bookshelf Featured in New York Magazine’s Fall 2016 Preview An Entertainment Weekly Fall 2016 Must-Read Featured in LitHub’s 2016 Bookseller’s Fall Preview Featured in The Guardian‘s Fall 2016 Books Preview: The Best American Writing From the “wonderfully talented” (Dwight Garner, New York Times) author of Mislaid and The Wallcreeper comes a fierce and audaciously funny new novel, dazzling in its energy and ambition: a story of obsession, idealism, and ownership, centered around a young woman who inherits her bohemian father’s childhood home. Recent business school graduate Penny Baker has rebelled against her family her whole life-by being the conventional one. Her mother, Amalia, was a member of an Amazonian tribe called the Kogi; her much older father, Norm, long ago attained cult-like deity status among a certain group of aging hippies while operating a ‘healing center’ in New Jersey. And she’s never felt particularly close to her much-older half-brothers from Norm’s previous marriage-one wickedly charming and obscenely rich (but mostly just wicked), one a photographer on a distant tropical island. But all that changes when her father dies, and Penny inherits his childhood home in New Jersey. She goes to investigate the property and finds it not overgrown and abandoned, but rather occupied by a group of friendly anarchist squatters whom she finds unexpectedly charming, and who have renamed the property Nicotine House. The residents of Nicotine House (defenders of smokers’ rights) possess the type of passion and fervor Penny feels she’s desperately lacking, and the other squatter houses in the neighborhood provide a sense of community Penny’s never felt before, and she soon moves into a nearby residence, becoming enmeshed in the political fervor and commitment of her fellow squatters. As the Baker family’s lives begin to converge around the fate of the Nicotine House, Penny grows ever bolder and more desperate to protect it-and its residents-until a fateful night when a reckless confrontation between her old family and her new one changes everything.

Pornography keeps getting more extreme. Manufacturers, defenders and consumers of porn rely on a mix of wilful ignorance and bad faith to avoid serious discussion. When we do talk about violence against women in the porn world, the debate all too often becomes technical, complicated by legalities and outrage. But what are the moral and psychological consequences of the mercantilization of abuse? In this studied and ruthless examination of the place of pornography in contemporary life, translator and critic Adrian Nathan West treads dangerous literary and social ground, transcending cliches about free expression and the demands of the market to look at the moral discomfort of violent pornography from the perspective of the viewer. Collapsing distinctions between novel, memoir, and essay, this book will not make for light reading. But at its core is an extraordinarily brave and honest concern for the women and men who have been hurt in the name of sexual gratification.