Long overdue for an institutional history, Auburn University possesses a rich and storied past. Dwayne Cox's The Village on the Plain traces the school's history in authoritative detail from its origins as a private college through its emergence as a complex land-grant university. Originally founded prior to the Civil War with an emphasis on classical education, Auburn became the state's land-grant college after the cessation of hostilities. This infused the school with a vision of the South as a commercial and industrial rival to the North. By the 1880s, instruction in applied science had become Auburn's curricular version of this "New South" creed. Like most southern universities, Auburn never enjoyed financial abundance, creating scarcity that intensified internal debate over whether liberal arts or applied disciplines deserved more of the school's limited resources. Meager state funding for higher education complicated Auburn's rise and became a source of competition with the University of Alabama. This rivalry was perhaps most intense between 1908 and 1948, when the two schools did not meet on the gridiron, but blocked and tackled one another in the legislature over the division of state funds. Like many universities founded in somewhat isolated locations during the antebellum period, Auburn developed an insular culture, which hindered the school's progress in issues related to race. Cox traces how this insularity also found expression in the school's resistance to outside academic regulatory organizations as well as in conflicts over the university's governance. Auburn University's history is that of a small private college that transformed itself in the face of sweeping national events and state politics, not only to survive threats but to emerge more complex and resilient. Offering much to students of higher education and Alabama history, as well as readers affiliated with Auburn University, The Village on the Plain tells the story of this complex and fascinating institution.

The transition from the Neolithic period to the Copper Age in the northern Balkans and the Carpathian Basin was marked by significant changes in material culture, settlement layout and organization, and mortuary practices that indicate fundamental social transformations in the middle of the fifth millennium BC. Prior research into the Late Neolithic of the region focused almost exclusively on fortified 'tell' settlements. The Early Copper Age, by contrast, was known primarily from cemeteries such as the type site of Tiszapolgar-Basatanya. This edited book describes the multi-disciplinary research conducted by the Koros Regional Archaeological Project in southeastern Hungary from 2000-2007. Centered around two Early Copper Age Tiszapolgar culture villages in the Koros Region of the Great Hungarian Plain, Veszto-Bikeri and Korosladany-Bikeri, our research incorporated excavation, surface collection, geophysical survey and soil chemistry to investigate settlement layout and organization. Our results yielded the first extensive, systematically collected datasets from Early Copper Age settlements on the Great Hungarian Plain. The two adjacent villages at Bikeri, located only 70 m apart, were similar in size, and both were protected with fortifications. Relative and absolute dates demonstrate that they were occupied sequentially during the Early Copper Age, from ca. 4600-4200 cal B.C. The excavated assemblages from the sites are strikingly similar, suggesting that both were occupied by the same community. This process of settlement relocation after only a few generations breaks from the longer-lasting settlement pattern that are typical of the Late Neolithic, but other aspects of the villages continue traditions that were established during the preceding period, including the construction of enclosure systems and longhouses.

This series looks at history in a lively manner for children. Each book portrays the way of life of people from the past in colour photographs of real objects. This work looks at a Plains Indian village.

WINNER OF THE NOBEL PRIZE IN LITERATURE A dreamlike collection from the Nobel Prize-winning poet A Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place: All the roads in the village unite at the fountain. Avenue of Liberty, Avenue of the Acacia Trees— The fountain rises at the center of the plaza; on sunny days, rainbows in the piss of the cherub. —from "tributaries" Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed. Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "the type of describing, supervising intelligence found in novels rather than poetry," as Langdon Hammer has written of her long lines—expansive, fluent, and full—manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.