DigiCat Publishing presents to you this special edition of "Up at the Villa" by W. Somerset Maugham. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

John Saladino's powerful new book is nothing less than a master class in interior and garden design. Villa focuses on the stone ruin in Southern California that Saladino painstakingly refashioned into his dream house, and it shows how his principles and passions guided him through the five-year process of reconstruction, restoration, and decoration. With the aid of plans and drawings, as well as numerous photographs of the house — how it looked in the 1920s, shots of when he bought it, and snaps taken during reconstruction — Saladino traces the architectural work involved. Then, in a superbly illustrated tour of the house and grounds, he proves that he practices what he’s preached for more than 30 years. Juxtaposing light and dark, old and new, classical and modern, monumental and miniscule, hard and soft, Saladino creates the serenely timeless interiors and gardens that are his hallmark.

The architectural historian James Ackerman discusses villas from ancient Rome to 20th-century France and America. Unlike farmhouses, castles or manors, villas usually belong to city dwellers. The villa provides a focus for examining not only the relationship between urban and rural life, but also that between building and the environment, and between the effects of social, economic and political change on architectural design. The author illuminates villas of all kinds in a study of one of the most attractive types of dwelling ever conceived.

A classic account of the villa—from ancient Rome to the twentieth century—by “the preeminent American scholar of Italian Renaissance architecture” (Architect’s Newspaper) In The Villa, James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the “country place” as a focus for examining the relationships between urban and rural life, between building and the natural environment, and between architectural design and social, cultural, economic, and political forces. “The villa,” he reminds us, “accommodates a fantasy which is impervious to reality.” As city dwellers idealized country life, the villa, unlike the farmhouse, became associated with pleasure and asserted its modernity and status as a product of the architect’s imagination.

Not only a photographic revelation of the residential treasures of Lucca, but an exploration of the artistic and cultural heritage of the region.

This volume offers a comprehensive survey of Roman villas in Italy and the Mediterranean provinces of the Roman Empire, from their origins to the collapse of the Empire. The architecture of villas could be humble or grand, and sometimes luxurious. Villas were most often farms where wine, olive oil, cereals, and manufactured goods, among other products, were produced. They were also venues for hospitality, conversation, and thinking on pagan, and ultimately Christian, themes. Villas spread as the Empire grew. Like towns and cities, they became the means of power and assimilation, just as infrastructure, such as aqueducts and bridges, was transforming the Mediterranean into a Roman sea. The distinctive Roman/Italian villa type was transferred to the provinces, resulting in Mediterranean-wide culture of rural dwelling and work that further unified the Empire.

le Corbusier: "La Roche, when one owns such a splendid art collection as yours, one must construct a house that does it honour." - La Roche: "Very well then, build this house for me." This was the genesis of the Villa La Roche (1923-1925), a brilliant synthesis of residence and private gallery, as recounted by the Swiss banker and collector of Cubist art, Raoul la Roche. The developmental leap which Le Corbusier made in his architecture and the liberty of expression in his use of colour, light and spatial organisation which he discovered during the final stages of this project inaugurated his rise to one of the giants of 20th century architecture. This guide leads the reader through both the Villa La Roche and the attached Villa Jeanneret, which houses the Fondation Le Corbusier.