This is a paperbound edition of a 2001 book combining biography and larger historical narrative. Guy (history, U. of Natal, South Africa) studies the life of the daughter of the Bishop of Natal, Hariette Colenso, as a window into the continuing process of imperialism and colonialism after the destruction of the Zulu Kingdom's political hierarchy. After the military defeat of the Zulus, the invaders turned their attention to diverting Zululand's productive capacity and material wealth to the benefit of the colonizers; but a number of women and men, including Colenso, resisted this exploitation. Guy argues that an examination of her interaction with the Zulus should be viewed as a contribution to understanding the complicated role of women in the world of late-19th-century imperialism. Annotation copyrighted by Book News, Inc., Portland, OR

A man must confront a terrifying evil in this captivating horror novel that's "as much F. Scott Fitzgerald as Dean Koontz."* Haunted by memories of the Great War, failed academic Frank Nichols and his wife have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate--the Savoyard Plantation--and the horrors that occurred there. At first their new life seems to be everything they wanted. But under the facade of summer socials and small-town charm, there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of the Savoyard Plantation still stand. Where a long-smoldering debt of blood has never been forgotten. Where it has been waiting for Frank Nichols....

A writer is caught between her calling and the man she loves in this “joyous, funny and bittersweet” novel (Newsday). Isaac and Nora haven’t seen each other in five years, yet when Nora phones Isaac late one night, he knows who it is before she’s spoken a word. Isaac, a photographer, is relinquishing his artistic career, while Nora, a writer, is seeking to rededicate herself to hers. Fueled by their rediscovered love, Nora is soon on fire with the best work she’s ever done, until she realizes that the story she's writing has turned into a fictionalized portrait of Isaac, exposing his frailties and compromises and sure to be viewed by him as a betrayal. How do we remain faithful to our calling if it estranges us from the people we love? How do we remain in love after we have seen the very worst of our loved ones? These are some of the questions explored in a novel that critics are calling “an absolute pleasure” (The Seattle Times). From the author of Florence Gordon and Starting Out in the Evening, this is a “novel of two star-crossed but self-absorbed artists facing crises of the heart and conscience. . . . An intriguing look at the nature of love and the need for acceptance” (Booklist). “I loved this book.” —Alice Sebold

Jeff Guy is Professor of History at the University of Natal, Durban. He is the author of The Destruction of the Zulu Kingdom and The Heretic, a biography of Bishop Colenso.

DigiCat Publishing presents to you this special edition of "Across the River and Into the Trees" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

"Resting on a foundation summarizing the first 100 years of East Athens history, our story shows the intertwined relationships of the early inhabitants, entrepreneurs, and landowners of East Athens, the University of Georgia, and the textile industry. In this book journey, we also unveil the challenges of misperceptions, discrimination, and economic inequality experiences by East Athenians over generations -- a story we were compelled to write, and for which there is a long overdue need for correcting the record." -- from inside cover.

“You think you got away with something, don’t you? But your time has run out. We know where you are. And we are coming.” Andrew Ranulf Blankenship is a stylish nonconformist with wry wit, a classic Mustang, and a massive library. He’s also a recovering alcoholic and a practicing warlock. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago. Andrew has long known that magic is a brutal game requiring blood sacrifice and a willingness to confront death, but years of peace and comfort have left him more concerned with maintaining false youth than with seeing to his own defense. Now a monster straight from the pages of Russian folklore is coming for him, and frost and death are coming with her.