Open this book and you'll soon find yourself immersed in the wonderful gingerbread world of Victorian architecture and interior design. From a nostalgic introduction by John Philip Sousa III to the charming original illustrations of Daniel Lewis, The Victorian House Coloring Book invites children and colorists to re-create the furnishings, color schemes, and rich decorations of a lovely Victorian home. Comprising a complete household tour, these beautifully authentic illustrations depict the exterior, attic, front hallway, parlor, library, dining room, kitchen, three bedrooms, bathroom (including a water closet), and basement. In addition, a delightful double-page spread shows the garden with a gazebo. Typical of Victorian-era house, which often combined several architectural styles, the house shown here blends a simple Italianate exterior with such Second Empire features as a mansard roof and dormer windows. Other styles often featured in such homes include Queen Anne and Romanesque revivals, Carpenter Gothic and Stick, and Eastlake. A well-researched and informative text by Kristin Helberg accompanies each illustration, commenting on furnishings and architectural details and providing insight into the historical background and everyday life of the era. Dollhouse buffs, who consistently prefer the Victorian style to all others, will welcome this handsome book, while designers and illustrators will be especially pleased that all the illustrations are royalty free.

This introductory guide to the canon of Victorian literature covers 61 novels by authors from Jane Austen to Emile Zola. Brief critical essays describe what each book is about and argue for its cultural, historical and literary importance. Literary canons remain a subject of debate but critics, readers and students continue to find them useful as overviews--and examinations--of the great works within a given period or culture. The Victorian canon is particularly rich with splendid novels that educate, enlighten and entertain. Instructors considering this book for use in a course may request an examination copy here.

Vintage guide offered turn-of-the-century seamstresses clear instructions for altering patterns and creating shirt-blouses, skirts, wedding gowns, coats, maternity wear, children's clothing, and other apparel.

Daniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such asArnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.

From Robert Browning’s The Pied Piper of Hamelin and William Makepeace Thackeray’s The Rose and the Ring to Kenneth Grahme’s The Reluctant Dragon and J. M. Barrie’s Peter Pan in Kensington Gardens, here are seventeen classic stories and poems from the golden age of the English fairy tale. Some of them amuse, some enchant, some satirize and criticize, but each one is an expression of the joy of living. Accompanied by illustrations from the original editions of these works this collection will delight readers both young and old. Part of the Pantheon Fairy Tale and Folklore Library

This introductory guide to the canon of Victorian literature covers 61 novels by authors from Jane Austen to Emile Zola. Brief critical essays describe what each book is about and argue for its cultural, historical and literary importance. Literary canons remain a subject of debate but critics, readers and students continue to find them useful as overviews--and examinations--of the great works within a given period or culture. The Victorian canon is particularly rich with splendid novels that educate, enlighten and entertain. Instructors considering this book for use in a course may request an examination copy here.

The interest among Victorian readers in classical literature from Asia has been greatly underestimated. The popularity of the Arabian Nights and The Rubaiyat of Omar Khayyam is well documented. Yet this was also an era in which freethinkers consulted the Quran, in which schoolchildren were given abridgements of the Ramayana to read, in which names like 'Kalidasa' and 'Firdusi' were carved on the façades of public libraries, and in which women's book clubs discussed Japanese poetry. But for the most part, such readers were not consulting the specialist publications of scholarly orientalists. What then were the translations that catalysed these intercultural encounters? Based on a unique methodology marrying translation theory with empirical techniques developed by historians of reading, this book shines light for the first time on the numerous amateur translators or 'popularizers', who were responsible for making these texts accessible and disseminating them to the Victorian general readership. Asian Classics on the Victorian Bookshelf explains the process whereby popular translations were written, published, distributed to bookshops and libraries, and ultimately consumed by readers. It uses the working papers and correspondence of popularizers to demonstrate their techniques and motivations, while the responses of contemporary readers are traced through the pencil marginalia they left behind in dozens of original copies. In spite of their typically limited knowledge of source-languages, Asian Classics argues that popularizers produced versions more respectful of the complexity, cultural difference, and fundamental untranslatability of Asian texts than the professional orientalists whose work they were often adapting. The responses of their readers, likewise, frequently deviated from interpretive norms, and it is proposed that this combination of eccentric translators and unorthodox readers triggered 'flights of translation', whereby historical individuals can be seen to escape the hegemony of orientalist forms of knowledge.