From Newbery Honor-- and National Book Award--winning author Polly Horvath comes another magical novel featuring a time machine, money, food and lots of family. Ten-year-old Rupert Brown comes from an ordinary family. They live in a small house in the poorest section of Steelville, Ohio, and have little money or food. So when Rupert inadvertently finds himself spending Christmas at the house of Turgid River -- the richest boy in town -- he is blown away to discover a whole other world, including all the food he can eat and wonderful prizes that he wins when the family plays games, prizes he hopes to take home to his family so they can have Christmas presents for the very first time. But this windfall is short-lived when Rupert loses it all in one last game and goes home empty-handed. Each member of the Rivers family feels guilty about what happened and, unbeknownst to each other, tries to make it up to Rupert in their own unique way, taking him on one unlikely adventure after another.

A popular entrepreneur explains that true happiness comes not from wealth but from inner contentment and shares personal stories of his own rise to success and how he never failed to remain grounded during the process.

Max Gunther’s classic study of the super rich - now back in a new edition. The Very, Very Rich and How They Got That Way provides revealing insights into the intriguing world of big money, recounting the spectacular success stories of 15 people who made it to the very, very top. In 1972, Max Gunther invited readers to take a journey with him through a gallery of America's most prominent millionaires. The inhabitants framed here are by no means merely ordinary millionaires, though - the minimum qualifying standard to be considered for inclusion was ownership of assets valued at $100 million or more (the equivalent of $650 million today). This classic is now nearly 50 years old but its value endures, since the key steps on the route to wealth do not change with time. These secrets can be learned from, adapted and applied by anyone today.

In 1920s Paris, Adrienne Monnier provided a focal point for the writers and artists drawn to the Left Bank. Her bookstore in the Rue de l’Odeon was aptly called La Maison des Amis des Livres. Monnier took a simple though sophisticated delight in language, books, art, music, nature, friendship, and food. Her 1940 journal, written as Paris fell to the Germans and originally published in 1976, is a rich tapestry of essays, reviews, and personal recollections. She goes to lunch with Colette, visits T. S. Eliot, befriends Joyce, argues with Breton, takes walks with Gide, publishes her elegant reviews, and reflects on the ballet, opera, Steinberg drawings, Marlon Brando and Alec Guinness movies, and the country of her birth.

A provocative satire of love, sex, money, and politics that unfolds over four wild days in so-called “paradise”—the long-awaited first novel from the acclaimed author of Sam the Cat “I seriously, deeply love this book.”—Michael Cunningham NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES AND THE WASHINGTON POST Every summer, a once-sort-of-famous cartoonist named Rich Fischer leaves his wife and two kids behind to teach a class at a weeklong arts conference in a charming New England beachside town. It’s a place where, every year, students—nature poets and driftwood sculptors, widowed seniors, teenagers away from home for the first time—show up to study with an esteemed faculty made up of prizewinning playwrights, actors, and historians; drunkards and perverts; members of the cultural elite; unknown nobodies, midlist somebodies, and legitimate stars—a place where drum circles happen on the beach at midnight, clothing optional. Once more, Rich finds himself, in this seaside paradise, worrying about his family’s nights without him and trying not to think about his book, now out of print, or his future as an illustrator at a glossy magazine about to go under, or his back taxes, or the shameless shenanigans of his colleagues at this summer make-out festival. He can’t decide whether his own very real desire for love and human contact is going to rescue or destroy him. A warped and exhilarating tale of love and lust, Who Is Rich? goes far beyond to address deeper questions: of family, monogamy, the intoxicating beauty of children, and the challenging interdependence of two soulful, sensitive creatures in a confusing domestic alliance. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE “Funny, maddening . . . defiantly original . . . [Matthew] Klam’s prose is so clean, so self-assured, that it feels a little like a miracle.”—The New York Times “A dazzling meditation on monogamy [and] parenthood . . . full of sound and fury and signifying pretty much everything.”—The Boston Globe “Comic, wondrous, and sad.”—The New Yorker “Almost scarily astute.”—People “An electric amalgam of frustration and tenderness, wonder and rebellion: a paean to the obliterating power of parental love.”—Jennifer Egan “A contemporary masterpiece.”—Salon

This family drama explores the private lives of a wealthy and socially prominent family living in Cleveland. Danny and Amy Wainwright, a brother and sister, have escaped a dysfunctional upbringing and made new lives and careers in San Francisco. They are sucked back into a vortex of painful memories after their father, who heads a successful investment firm, suffers a cerebral aneurism, is hospitalized and on the verge of death. Subsequent events show that neither his life nor those of his wife, Elaine, have been what they seem. Danny and Amy discover a trail of secrets that threatens to shatter the peace of their new lives. The novel is in the great tradition of family drama from Austen to Thomas and Tom Wolfe.