This text examines the transferral's historical contexts and assesses the tradition's historical authenticity. It also examines photographic reproductions of scenes from two major art works which depict the transferral - the 14th-century marble sculpture of the Arca di Sant'Agostino in S. Pietro in Ciel d'Oro, and paintings from an anonymous late 15th-century South German, Vita Sancti Augustini.

With one of the richest archaeological records and most complicated histories in the Mediterranean, Sardinia provides an important laboratory for studying the interaction of indigenous societies and outside forces in a partly isolated geographical context. Stephen L. Dyson and Robert J. Rowland, Jr. use both material culture and written documents to reconstruct the social and economic processes of an island society that showed both cultural creativity and continuity but responded to invasions from the Phoenicians through the Romans to the Aragonese. This first accessible reconstruction of island archaeology provides a balanced picture of the sweep of Sardinian history.

The rise of the mendicant orders in the later Middle Ages coincided with rapid and dramatic shifts in the visual arts. The mendicants were prolific patrons, relying on artworks to instruct and impress their diverse lay congregations. Churches and chapels were built, and new images and iconographies developed to propagate mendicant cults. But how should the two phenomena be related? How much were these orders actively responsible for artistic change, and how much did they simply benefit from it? To explore these questions, Art and the Augustinian Order in Early Renaissance Italy looks at art in the formative period of the Augustinian Hermits, an order with a particularly difficult relation to art. As a first detailed study of visual culture in the Augustinian order, this book will be a basic resource, making available previously inaccessible material, discussing both well-known and more neglected artworks, and engaging with fundamental methodological questions for pre-modern art and church history, from the creation of religious iconographies to the role of gender in art.

Italy and the East Roman World in the Medieval Mediterranean addresses the understudied topic of the Italian peninsula’s relationship to the continuation of the Roman Empire in the East, across the early and central Middle Ages. The East Roman world, commonly known by the ahistorical term "Byzantium", is generally imagined as an Eastern Mediterranean empire, with Italy part of the medieval "West". Across 18 individually authored chapters, an introduction and conclusion, this volume makes a different case: for an East Roman world of which Italy forms a crucial part, and an Italian peninsula which is inextricably connected to—and, indeed, includes—regions ruled from Constantinople. Celebrating a scholar whose work has led this field over several decades, Thomas S. Brown, the chapters focus on the general themes of empire, cities and elites, and explore these from the angles of sources and historiography, archaeology, social, political and economic history, and more besides. With contributions from established and early career scholars, elucidating particular issues of scholarship as well as general historical developments, the volume provides both immediate contributions and opens space for a new generation of readers and scholars to a growing field.

A general historical introduction to the Muslims of Medieval Italy which presents specific information regarding social, religious, administrative, political, cultural, artistic and intellectual questions.

Bede (c. 673-735) was Anglo-Saxon England’s most prominent scholar, and his body of work is among the most important intellectual achievements of the entire Middle Ages. Bede and the Future brings together an international group of Bede scholars to examine a number of questions about Bede’s attitude towards, and ideas about, the time to come. This encompasses the short-term future (Bede’s own lifetime and the time soon after his death) and the end of time. Whilst recognising that these temporal perspectives may not be completely distinct, the volume shows how Bede’s understanding of their relationship undoubtedly changed over the course of his life. Each chapter examines a distinct aspect of the subject, whilst at the same time complementing the other essays, resulting in a comprehensive and coherent volume. In so doing the volume asks (and answers) new questions about Bede and his ideas about the future, and will undoubtedly stimulate further research in this field.

A detailed case-study of the Liguria region of Italy, using the insights gained there to illuminate events at the end of Roman imperial rule.