What Is the Third Estate? was the most influential pamphlet of 1789. It did much to set the French Revolution on a radically democratic course. It also launched its author, the Abbé Sieyes, on a remarkable political career that spanned the entire revolutionary decade. Sieyes both opened the revolution by authoring the National Assembly's declaration of sovereignty in June of 1789 and closed it in 1799 by engineering Napoleon Bonaparte's coup d'état. This book studies the powerful rhetoric of the great pamphlet and the brilliant but enigmatic thought of its author. William H. Sewell's insightful analysis reveals the fundamental role played by the new discourse of political economy in Sieyes's thought and uncovers the strategies by which this gifted rhetorician gained the assent of his intended readers--educated and prosperous bourgeois who felt excluded by the nobility in the hierarchical social order of the old regime. He also probes the contradictions and incoherencies of the pamphlet's highly polished text to reveal fissures that reach to the core of Sieyes's thought--and to the core of the revolutionary project itself. Combining techniques of intellectual history and literary analysis with a deep understanding of French social and political history, Sewell not only fashions an illuminating portrait of a crucial political document, but outlines a fresh perspective on the history of revolutionary political culture.

The first comprehensive study of the complex events and debates through which the 1789 French National Assembly became a sovereign body.

This volume highlights the copious and various depictions of the three orders of society during the Late Middle Ages and at the beginning of the Early Modern Period. It discusses the origins and development of the trifunctional division into the orders of the oratores, bellatores and laboratores, and the abundantly preserved visual material, which proves that this scheme was one of the most widespread ideological foundations of European societies at that time. Late Gothic and Renaissance depictions of the three orders of society can be found in different mediums, from woodcuts to wall paintings, and were produced by important artists such as J. Fouquet and Pieter Bruegel, as well as anonymous painters. The vast numbers of preserved examples of this topic confirm the significance and strength of this iconographic theme at the end of the Middle Ages.

The abbe Emmanuel Joseph Sieyes (1748-1836) distinguished himself as the chief theoretician of the French Revolution--and as a revolutionary constitutional and social theorist in his own right--through his rigorously analytical theory of representative government and its corollary, the representative character of social life in general. He expressed the essence of his thought in a series of three pamphlets published in the months leading up to the meeting of the Estates-General in 1789. This volume presents all three essays--Views of the Executive Means, An Essay on Privileges, and What Is the Third Estate?--in their entirety. The third essay, in a new translation by Michael Sonenscher, is followed by Sieyes's 1791 newspaper debate with Tom Paine on the merits of monarchy versus republicanism. Elucidated by Sonenscher's insightful Introduction, these texts will fascinate anyone interested in the history of the French Revolution, the history of social and political thought, or the origins and character of modern liberalism.

Tripartite construct of medieval French society.

This satirical play, written in the 16th century, is one of the most important works of Scottish literature. It is a scathing critique of the corruption and hypocrisy of the Scottish church and state, and a celebration of the virtues of common people. The play is notable for its lively dialogue, colorful characters, and irreverent humor. This edition includes an introduction and annotations by a leading scholar of Scottish literature, making it an ideal text for students and general readers alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.