This is the first academic book dedicated to the filmmaking of the Mexican born directors Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón. The book examines the career trajectories of the directors and presents a detailed analysis of their most significant films. These include studies on del Toro's Cronos/Chronos, El laberinto del fauno/Pan's Labyrinth, Hellboy II: The Golden Army; Iñárritu's Amores Perros, 21 Grams and Babel; and Cuarón's Sólo con tu pareja/Love in the Time of Hysteria, Y tu mamá también, and Children of Men. All three have worked in diverse industrial contexts, and between them they have made key films that have changed the nature of filmmaking in Mexico, Hollywood blockbusters, US independent films, 'European' art films, and films that defy easy classification. They have had unprecedented international success and have crossed linguistic, national and generic borders, cutting through traditional divisions created by film markets. As a result, this book challenges the ways both markets and critics have created clear-cut distinctions between mainstream commercial and independent art cinema, and the ways they have conceptualised US, Latin American and European cinema as discrete entities. The work of the three directors creates new hybrid formations and makes us rethink ways in which we have understood the auteur label. The main theoretical approaches applied in this book to analyse the directors' working practices and texts centre on new readings of auteurism and transnational film theories. This book will be of interest to undergraduate and postgraduate students of film studies and Hispanic studies, and general cinema enthusiasts who are interested in the films of the three directors.

Teaches the numbers in English and Spanish from one to ten using the words for things common in the American Southwest.

After Brett Kavanaugh referenced "Fast Times at Ridgemont High" as a cultural landmark in his sexual assaulting youth and the realization that I am exactly the same age as the SCOTUS justice, it was time to go back and revisit fourteen comedies from the 1980's to see which hold up in the cultural shift of 2020.Includes breakdowns of "Fast Times at Ridgemont High," "Stripes," "Revenge of the Nerds," and "Weird Science" plus ten more you might remember.

As if teenaged friendships aren't hard enough... Marissa and Jack have been best friends for as long as they can remember, only having troubles when Jack wasn't always honest about himself. Despite their differences, their friendship endures. However, that friendship is challenged when a new student, Julio, moves to town and upsets the longstanding dynamic between Marissa and Jack.

In this engagingly witty, wise, and heartfelt memoir, Martin Short tells the tale of how a showbiz-obsessed kid from Canada transformed himself into one of Hollywood's favorite funnymen, known to his famous peers as the "comedian's comedian." Short takes the reader on a rich, hilarious, and occasionally heartbreaking ride through his life and times, from his early years in Toronto as a member of the fabled improvisational troupe Second City to the all-American comic big time of Saturday Night Live, and from memorable roles in such movies as ¡Three Amigos! and Father of the Bride to Broadway stardom in Fame Becomes Me and the Tony-winning Little Me. He reveals how he created his most indelible comedic characters, among them the manic man-child Ed Grimley, the slimy corporate lawyer Nathan Thurm, and the bizarrely insensitive interviewer Jiminy Glick. Throughout, Short freely shares the spotlight with friends, colleagues, and collaborators, among them Steve Martin, Tom Hanks, Gilda Radner, Mel Brooks, Nora Ephron, Eugene Levy, Catherine O'Hara, Paul Shaffer, and David Letterman. But there is another side to Short's life that he has long kept private. He lost his eldest brother and both parents by the time he turned twenty, and, more recently, he lost his wife of thirty years to cancer. In I Must Say, Short talks for the first time about the pain that these losses inflicted and the upbeat life philosophy that has kept him resilient and carried him through. In the grand tradition of comedy legends, Martin Short offers a show-business memoir densely populated with boldface names and rife with retellable tales: a hugely entertaining yet surprisingly moving self-portrait that will keep you laughing—and crying—from the first page to the last.

Ola Amigo! If you love Tequila and Mexican food you are in the right place to make every day your Tequila Tuesday! This 6x9 inch sized Lined Notebook features 120 black & white cream paper pages and a cool Loteria Glossy Cover. It is the perfect gift for tequila shoot loving family member, friend or partner.