With comprehensive text, diagrams, drafts, and examples of fine woven fabrics, this book about the art and craft of weaving offers complete coverage of the materials and equipment, the techniques and the creative possibilities of the medium. Now in its fourth edition, this indispensable handbook is a must-have resource for weavers of all skill levels. This timeless classic now features examples of contemporary work and discusses the use of digital tools for hand-weaving. Chapters include the fundamentals of weaving, as well as looms and other equipment, yarns, how to design a warp and warp the loom, drafting, the basic weaves, pattern weaves, and how to apply this knowledge to discover the many faces of weaving. Weave structures covered include tapestry techniques, knotted, pile, flat-woven rugs, and two- and three-dimensional wall hangings.

An in-depth and extensive look at the ancient art form of weaving through its history from around the world to present day and practical information and techniques for today's weaver. More than 600 images trace its origins and the types of looms and fiber available from stick to the Jacquard. Detailed, step-by-step instructions for various techniques â including warping, dressing the loom, threading, and tying â are presented in an organized, clear, and concise manner. Common mistakes and solutions for avoiding them are also illustrated. Assorted projects offer something for both beginning and advanced weavers. Make placemats, a table runner, or everyday decorations. Create a tapestry from wool or a plaid scarf. Weave a rug or a jacket. The possibilities are endless. Anyone interested in weaving will find this book to be an invaluable resource. It is a great addition to any weaver's library and is perfect for students of fashion and crafters.

In all early cultures, weaving represented the image of creation. In this beautiful book, Martin presents the history, folklore, and techniques of weaving through various cultures. She explains and illustrates the three basic weave structures-plain weave, twills, and satins-along with many famous weaving patterns. Traditions of dyeing, fiber preparation, and spinning are introduced along with the rich legacy of myths and legends they have engendered. Diagrams illustrate the construction of various looms, from the simple backstrap loom to the complex and revolutionary Jacquard loom. For anyone who has ever knitted, sewn, or woven, this book is a treasure.

When Techniques of Tablet Weaving was first published in 1982 it sold out almost immediately. Weavers, fiber artists, and collectors, hungry for the vast and carefully organized repository of information it contained, have spent years excitedly sharing dog-eared paperback editions and roughly photocopied excerpts of this one-of-a-kind volume. No commercially published book, before or since, has captured the amount and quality of information and research on the art of tablet weaving (also known as card weaving). Finally, long-deprived cardweaving enthusiasts can own their very own copy of Peter Collingwood's landmark book thanks to this high-quality 2015 reprint, complete with dozens of detailed photographs, pattern examples, and step-by-step instructions for each of the techniques presented. In addition to instructional information, Techniques of Tablet Weaving contains pages of historical context for a variety of weaving techniques with clear and helpful tips on reproducing them precisely, as well as modern variations on the classics.

This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates.

Outstanding among textile artists -- Theo Moorman is a British weaver who has taught extensively in the United States. Illustrated with beautiful colour and black-and-white examples of her work are her thoughts on the design and aesthetic expression embodied in a woven fabric. The technique of weaving that bears her name is explained with numerous ways the Moorman technique may be varied and used with further exploration. Her experiences with commissioned works are utilised in a special chapter relating the problems and opportunities these present.