Since 1980, The Tape-Recorded Interview has been an essential resource for folklorists and oral historians--indeed, for anyone who uses a tape recorder in field research. Now, Sandy Ives has updated this manual to reflect the current preferences in tape-recording technology and equipment. When this book was first published, the reel-to-reel recorder was the favored format for fieldwork. Because the cassette recorder has almost completely replaced it, Ives has revised the first chapter, "How a Tape Recorder Works," accordingly and has included a useful discussion of the differences between analog and digital recording. He has also added a brief section on video, updated the bibliography, and reworked his original comments on tape cataloging and transcription. As in the first edition, Ives's emphasis is on documenting the lives of common men and women. He offers a careful, step-by-step tour through the collection process--finding informants, making advance preparations, conducting the actual interview, obtaining a release--and then describes the procedures for processing the taped interview and archiving such materials for future use. He also gives special treatment to such topics as recording music, handling group interviews, and using photographs or other visual material during interviews.

Since 1980, The Tape-Recorded Interview has been an essential resource for folklorists and oral historians - indeed, for anyone who uses a tape recorder in field research. When this book was first published, the reel-to-reel recorder was the favored format for fieldwork. Because the cassette recorder has almost completely replaced it, Ives has revised the first chapter, "How a Tape Recorder Works," accordingly and has included a useful discussion of the differences between analog and digital recording. He has also added a brief section on video, updated the bibliography, and reworked his original comments on tape cataloguing and transcription. As in the first edition, Ives's emphasis is on documenting the lives of common men and women. He offers a careful, step-by-step tour through the collection process - finding informants, making advance preparations, conducting the actual interview, obtaining a release - and then describes the procedures for processing the taped interview and archiving such materials for future use. He also gives special treatment to such topics as recording music, handling group interviews, and using photographs or other visual material during interviews.

Previously unpublished interviews with some of America's leading postwar artists--including Frankenthaler, Johns, Oldenburg, Rauschenberg, Stella and Warhol--originally made for TV in the mid-'60s by famed curator Alan Solomon This substantial volume publishes for the first time a series of interviews conducted with seminal East Coast artists and their associates, including Kenneth Noland, Jim Dine, Roy Lichtenstein, Marcella Brenner, Helen Jacobson, Clement Greenberg, Helen Frankenthaler, Larry Poons, Frank Stella, Robert Rauschenberg, Jasper Johns, Claes Oldenburg, Barnett Newman, Leo Castelli, Andy Warhol, Gerard Malanga and Edie Sedgwick. These were produced in late 1965 and early 1966 for the documentary television series USA: Artists by famed curator Alan Solomon, who was a regular fixture in the New York art world of the time. This was a logical extension of Solomon's recent curatorial involvements, including most importantly his organization of the United States exhibition at the 1964 Venice Biennale. The half-hour format of the episodes meant that a vast amount of Solomon's original interviews, some of which lasted an hour or more, wound up on the cutting-room floor. At some point after the series was completed the original filmed and tape-recorded interviews were lost. A single set of typed transcripts, preserved in the Alan R. Solomon papers at the Archives of American Art, a branch of the Smithsonian Institution (copublisher of this volume), is the sole complete record of the original interviews. The New York Tapes gathers these interview transcripts and publishes them as a group for the first time, extensively illustrated with numerous stills from the television programs and related documentation. The transcripts make available material that was not included in the final programs, while also revealing how what was included became subtly manipulated to fit the format of documentary television. An informative introduction by editor Matthew Simms sets the project in context and highlights the differences between the interviews and the films, shedding new light on a germinal moment in postwar American art and how it was presented to the public.

Read 29 in-depth, candid interviews with people holding the top marketing roles within their organizations. Interviewees include CMOs and other top marketers from established companies and organizations—such as Linda Boff of GE, Jeff Jones of Target, and Kenny Brian of the Harvard Business School—to startups—such as Matt Price of Zendesk, Seth Farbman of Spotify, and Heather Zynczak of Domo. Interviewer Josh Steimle (contributor to business publications such as Forbes, Mashable, and TechCrunch and founder of an international marketing agency) elicits a bounty of biographical anecdotes, professional insights, and career advice from each of the prominent marketers profiled in this book. Chief Marketing Officers at Work: Tells how CMOs and other top marketers from leading corporations, nonprofits, government entities, and startups got to where they are today, what their jobs entail, and the skills they use to thrive in their roles. Shows how top marketing executives continuously adapt to changes in technology, language, and culture that have an impact on their jobs. Locates where the boundaries between role of CMOs and the roles of CEOs, CTOs, and COOs are blurring. Explores how the CMO decisions are now driven by data rather than gut feelings. The current realities in marketing are clearly revealed in this book as interviewees discuss the challenges of their jobs and share their visions and techniques for breaking down silos, working with other departments, and following the data. These no-holds-barred interviews will be of great interest to all those who interact with marketing departments, including other C-level executives, managers, and other professionals at any level within the organization.

The 1960s were a period of radical cultural, social, and political upheaval in the United States and around the globe; yet in just three years, between 1969 and 1972, Village Voice "Scenes" columnist, WPLJ FM radio host, and cult figure Howard Smith got to the heart of it all by talking it out—both on and—off the record. As famous as those who passed through the airwaves, Smith encapsulated the end of an era through personal conversations and hard-hitting interviews with Mick Jagger, Frank Zappa, Andy Warhol, Buckminster Fuller, leaders of the feminist movement and the Gay Liberation Front, a NARC agent, John Lennon and Yoko Ono, and scores of other iconic and influential personalities, including musicians, artists, filmmakers, actors, writers, politicians, and social activists, from countercultural luminaries to everyday revolutionaries and everyone in between. The Smith Tapes transcribes, for the first time ever, sixty-one of those recorded sessions, from an archive of more than one hundred fifty reels unearthed after more than forty years. Edited by documentary film writer and director/producer Ezra Bookstein, this book reveals the time capsule that Smith ingeniously captured, and contains raw and unscripted talks that take you right into the midst of a transformative cultural and musical explosion.