A comprehensive history of Roman Bath

The Roman sanctuary at Bath has long been used in scholarship as an example par excellence of religious and artistic syncretisms in Roman Britain. With its monumental temple, baths, and hot springs, its status as one of the most significant Roman sites in the province is unquestioned. But our academic narratives about Roman Bath are also rooted in the narratives of our more recent past. This book begins by exploring how Georgian and Victorian antiquaries developed our modern story of a healing sanctuary at Roman Bath. It shows that a curative function for the sanctuary is in fact unsupported by the archaeological evidence. It then retells the story of Roman Bath by focusing on three interlinked aspects: the entanglement of the sanctuary with Roman imperialism, the role of the hot springs in the lives of worshipers, and Bath's place within the wider world of the western Roman Empire.

For almost three hundred years, excavations have been carried out in Roman Bath. At first these were rare and sporadic and archaeological finds were made by chance. Even fewer were reported. But from the 1860s, deliberate investigations were made and increasingly professional methods employed. The Roman Baths were laid open to view, but little was published. From the 1950s, interest accelerated, professionals and amateurs collaborated, and there was never a decade in which some new discovery was not made. The first popular but authoritative presentation of this work was made in 1971 and updated several times. However, from the 1990s to the present there has been some sort of archaeological investigation almost every year. This has thrown much new and unexpected light on the town of Aquae Sulis and its citizens. In this book, Peter Davenport, having been involved in most of the archaeological work in Bath since 1980, attempts to tell the story of Roman Bath: the latest interim report on the 'Three Hundred Year Dig'.

The fascinating story of Britain’s Roman Baths right up to the present day.

This ambitious book investigates a major yet underexplored nexus of themes in Roman cultural history: the evolving tropes of enclosure, retreat and compressed space within an expanding, potentially borderless empire. In Roman writers' exploration of real and symbolic enclosures - caves, corners, villas, bathhouses, the 'prison' of the human body itself - we see the aesthetic, philosophical and political intersecting in fascinating ways, as the machine of empire is recast in tighter and tighter shapes. Victoria Rimell brings ideas and methods from literary theory, cultural studies and philosophy to bear on an extraordinary range of ancient texts rarely studied in juxtaposition, from Horace's Odes, Virgil's Aeneid and Ovid's Ibis, to Seneca's Letters, Statius' Achilleid and Tacitus' Annals. A series of epilogues puts these texts in conceptual dialogue with our own contemporary art world, and emphasizes the role Rome's imagination has played in the history of Western thinking about space, security and dwelling.

The finding, in 1727, of the gilded bronze head of the Roman goddess Minerva during the construction of the famous Stall Street led to the discovery of the Roman temple and of the baths. Since then archaeologists have discovered more and more about the Roman city of Aquae Sulis. In this new edition of a work first published almost thirty years ago, Professor Cunliffe brings the story right up to date. He deals in detail with the temple and its precinct and with the 'curse tablets' which have been deciphered to reveal the thoughts of Roman visitors. He then explains just how the bathing establishment was organized and explores the relationship between the spa and the town. We learn what life was like for the local inhabitants as well as for the visitors. Finally, he charts the process of decline and decay during the 300 years after the Roman period.