Bootleg fake books - unauthorized anthologies of songs notated in a musical shorthand - have been used for decades by countless pop, jazz, and country musicians. Drawing from FBI files, newspaper accounts, court records, and oral history, Bootlegging Songs to Musicians reveals the previously unknown stories of the origins and prosecution of pop-song fake-book bootleggers, and of the emergence of the definitive jazz fake book, The Real Book.

"Frankie Neumann's an introvert, and he's always been the outsider in his family of performers, but all that's about to change once he finds an outlet for his artistic talents"--

Each volume contains over 150 tunes.

(Fake Book). This is the ultimate rock guitar collection! It features 200 classic and contemporary hits with melody, lyrics and chord frames, plus authentically transcribed guitar parts in notes and tablature! Songs include: All Day and All of the Night * American Woman * Angie * Another One Bites the Dust * Ballroom Blitz * Bang a Gong (Get It On) * Black Hole Sun * Blue on Black * Carry On Wayward Son * Centerfold * Change the World * Come Out and Play * Crazy Train * Cult of Personality * Don't Fear the Reaper * Double Vision * Dream On * Dust in the Wind * Every Breath You Take * The Freshmen * Give Me One Reason * Gloria * Heartache Tonight * Hey Joe * The House Is Rockin' * I Feel Fine * Iris * Iron Man * Layla * Learning to Fly * Little Sister * Money * My Generation * Nights in White Satin * Owner of a Lonely Heart * Paranoid * Patience * Piece of My Heart * Pride and Joy * Push * Revolution * Rhiannon * Roxanne * Semi-Charmed Life * Smoke on the Water * Something to Talk About * Suffragette City * Sultans of Swing * Susie Q * These Eyes * Twist and Shout * Two Princes * Welcome to the Jungle * Woman from Tokyo * Wonderwall * You Got It * more!

Taking the ten biggest lies from history and looking at the people who propagated them, social commentator and expert historian Otto English shows how our past has been bent and broken, used and abused over time to fit the ends of some of the world's most powerful people.

Exploring and celebrating individual lives in diverse situations, Women Singers in Global Contexts is a new departure in the study of women's worldwide music-making. Ten unique women constitute the heart of this volume: each one has engaged her singing voice as a central element in her life, experiencing various opportunities, tensions, and choices through her vocality. These biographical and poetic narratives demonstrate how the act of vocalizing embodies dynamics of representation, power, agency, activism, and risk-taking. Engaging with performance practice, politics, and constructions of gender through vocality and vocal aesthetics, this collection offers valuable insights into the experiences of specific women singers in a range of sociocultural contexts. Contributors trace themes and threads that include childhood, families, motherhood, migration, fame, training, transmission, technology, and the interface of private lives and public identities.

More important than flagging things “really fake” is to understand why they are dismissed as fake The new truth is the one that circulates: digital truth emerges from lists, databases, archives, and conditions of storage. Multiple truths may be activated through search, link, and retrieve queries. Alexandra Juhasz, Ganaele Langlois, and Nishant Shah respond by taking up story, poetry, and other human logics of care, intelligence, and dignity to explore sociotechnological and politico-aesthetic emergences in a world where information overload has become a new ontology of not-knowing. Their feminist digital methods allow considerations of internet things through alternative networked internet time: slowing down to see, honor, and engage with our past; invoking indeterminacy as a human capacity that lets multiple truths commingle on a page or in a body; and saving the truths of ourselves and our others differently from the corporate internet’s perpetual viral movement. Writing across their own shared truisms, actors, and touchstones, the authors propose creative tactics, theoretical overtures, and experimental escape routes built to a human scale as ways to regain our capacities to know and tell truths about ourselves.