In a stunning narration of reflection, revelation, and epiphany, the authors of "Wisdomkeepers" take readers on a dramatic and mystical "spirit-journey" into the living wisdom of Native America's spiritual elders. 40 photos.

This is a story about two stories and their travels through the written record. The written part begins in the mid-nineteenth century, when Silas T. Rand, a Baptist clergyman from Cornwallis, Nova Scotia, took as his task the translation of the Bible into Mi'kmaq-the language of the indigenous communities in the region. In the process of developing his vocabulary, Rand transcribed narratives from Mi'kmaq storytellers, and following his death, 87 of these stories were published in a book called Legends of the Micmacs. As his understanding of the language grew, Rand began to translate the stories as he heard them, and to record them in English. Until recently, it appeared that none of the early transcriptions in the original Mi'kmaq had survived. Then, in 2003, poet and essayist Peter Sanger uncovered two manuscripts among the Rand holdings in the library at Acadia University in Wolfville, Nova Scotia. One of these contains the story of Little Thunder and his journey to find a wife, as told to Rand by Susan Barss in 1847. The other is the story of a woman who survives alone on an island after being abandoned by her husband. It was told by a storyteller known to us now only as Old Man Stevens and dates from 1884. Both are among the earliest examples of indigenous Canadian literature recorded in their original language; the 1847 transcript being perhaps the earliest. Their publication in The Stone Canoe makes a significant contribution to our understanding of Mi'kmaq storytelling and indigenous Canadian literature. With the same passion for research and sleuthing that characterized his two previous prose publications, Spar (GP, 2002) and White Salt Mountain (GP, 2005), Peter Sanger provides commentary that recounts the adventure of his discoveries and the paths of written correspondence, library acquisitions, name changes, transcriptions, translations and human error that separate and reconnect two stories and their tellers. He also unpacks some of the complexities of Mi'kmaq cultural motifs as they emerge in these stories. At the heart of The Stone Canoe are the two stories themselves, including Rand's published versions, along with new translations and transliterations by Elizabeth Paul, a Mi'kmaq speaker and teacher of the Eskasoni First Nation. Paul provides new English translations, and Mi'kmaq transliterations of Rand's transcripts, as well as notes detailing issues of language and culture. The Stone Canoe also features artwork by Alan Syliboy, a Millbrook First Nation artist. Syliboy's original ink drawings illustrate scenes from the two narratives, employing some of the traditional patterns in Mi'kmaq art, and work visually alongside the translations and Sanger's engagement with the patterns contained in the stories.

Sometimes—the more the merrier.

The Stone Canoe is a collection of stories that Peyton - as a young man, early in the 20th century - heard among the Ojibway Indians. In this book the talented storyteller and artist retells and illustrates these Native American stories of mirth, sadness, and survival from the Northwoods in an evocative, engaging, and acclaimed style. The Stone Canoe will be appreciated by readers interested in myths and legends of Native Americans generally and, almost certainly, it will become a "must have" title on the bookshelves of readers interested in the Northwoods experience. The Stone Canoe won the 1991 Minnesota Book Award.

Rich with magnificent photographs and powerful words, this book takes the reader into the inner thoughts, jokes, healing remedies, and humanity of Native American spiritual elders—otherwise known as the Wisdomkeepers. In their own words elders from the Sioux, Iroquois, Seminole, Ojibwe, Hopi, Ute, Pawnee, and other tribes explain who they are, how they live, and what they believe. Readers learn of Buffalo Jim, a Seminole who describes the story of creation as if the Everglades were Eden, and Mathew King, a Lakota who warns of punishments for those who would destroy earth. Readers share the innermost thoughts and feelings, the dreams and visions, the laughter, the healing remedies, and the prophecies of the Wisdomkeepers. Above all, the elders offer their humanity, which shines through each page. They are the Elders, the Old Ones, the Grandfathers and Grandmothers, the fragile repositories of sacred ways and natural wisdom going back millennia, yet never more relevant than today.

Rosanne Parry, acclaimed author of A Wolf Called Wander and Heart of a Shepherd, shines a light on Native American tribes of the Pacific Northwest in the 1920s, a time of critical cultural upheaval. Pearl has always dreamed of hunting whales, just like her father. Of taking to the sea in their eight-man canoe, standing at the prow with a harpoon, and waiting for a whale to lift its barnacle-speckled head as it offers its life for the life of the tribe. But now that can never be. Pearl's father was lost on the last hunt, and the whales hide from the great steam-powered ships carrying harpoon cannons, which harvest not one but dozens of whales from the ocean. With the whales gone, Pearl's people, the Makah, struggle to survive as Pearl searches for ways to preserve their stories and skills.