Long known as one of the greatest chess masters of the nineteenth century, William Steinitz is recognized as the first world champion. More exactly (and thanks to the efforts of the author of this book) he has been officially acknowledged as the first American world chess champion. Luckily for chess scholars, many letters and postcards survive written by Steinitz and his associates, friends and foes. After years of research, numerous personal contacts with people on three continents, and unflagging efforts to acquire any and all known letters to and from Steinitz, the author here presents in their own words a remarkable account of Steinitz and his contemporaries in the chess world of over a century ago. Notable personalities that write or are written about include Lasker, Pillsbury, Zukertort, Bird, Blackburne, Janowski, Tschigorin and Winawer. Each original letter, postcard, scrapbook item, newspaper or chess magazine article or other writing (including three lengthily-negotiated match play agreements) is described along with details of location, ownership, and circumstances of discovery. It is then printed, nearly always in full, in English (many translated from their original German by Landsberger). The author provides a running commentary on the letters and documents, which are generally chronological in arrangement, putting them in context and remarking the significance of certain points made in them. A biographical dictionary at the back of the book offers information about all the many figures who received, sent, or were mentioned in the documents or letters. Some of the games accompanying some of the letters are annotated by modern grandmaster Andy Soltis (Steinitz’s annotations and insights also accompany some). Each game is illustrated. Facsimiles of some of the letters are provided.

Drawing on new research, this first biography of William Steinitz (1836-1900), the first World Chess Champion, covers his early life and career, with a fully-sourced collection of his known games until he left London in 1882. A portrait of mid-Victorian British chess is provided, including a history of the famous Simpson's Divan. Born to a poor Jewish family in Prague, Steinitz studied in Vienna, where his career really began, before moving to London in 1862, bent on conquering the chess world. During the next 20 years, he became its strongest and most innovative player, as well as an influential writer on the game. A foreigner with a quarrelsome nature, he suffered mockery and discrimination from British amateur players and journalists, which eventually drove him to immigrate to America. The final chapters cover his subsequent visits to England and the last three tournaments he played there.

This book portrays British chess life in the nineteenth century through biographical studies of ten players who shaped the modern game. From Captain Evans, inventor of the famous gambit, to Isidor Gunsberg, England's first challenger for the world championship, personal narratives are blended with game annotations to reassess players' achievements and character. The author has combined deep reading in primary sources with genealogical research to reveal new facts and correct previous misunderstandings. Major chapters on Howard Staunton and William Steinitz, in particular, highlight the tensions between Englishmen and immigrants, amateurs and professionals. The contrasting long careers of Henry Bird and Joseph Blackburne provide a thread of continuity. The lives of several other important figures in Victorian chess are also presented. More than 160 games (with diagrams), several annotated in detail, and 50 photographs and line drawings are included. Appendices provide career records for all ten; there are extensive notes, a bibliography and indexes.

Most chess biographies present the games of famous players--but not their writings. Filling that gap, this book begins with Syrian master and author of chess studies Philip Stamma, and finishes with the first world champion William Steinitz. The main novelties in opening, middlegame and endgame theory in the 160 year period are examined and biographical sketches put the contributions of more than 30 masters into context. The author presents many new insights--for example, regarding the origins of the Ponziani Opening, the Dutch Defense and the Petroff Defense. French star La Bourdonnais used other sources for almost every part of his Nouveau Traite. Morphy's analysis of the Philidor Defense was faulty and Anderssen's play included many positional ideas. Harrwitz and Neumann published modern treatises long before Steinitz came out with his Modern Chess Instructor. Many ending themes belong to less well-known authors, such as Cozio, Chapais, van Zuylen van Nyevelt, Sarratt, Kling and Horwitz, Berger and Salvio.