"Chinese ink painting is one of the oldest continually practiced art forms in the world. It first appeared in China in the fifth century, and soon traveled to Korea and then to Japan. As old and deeply rooted in East Asian aesthetics and meditation as it is, ink painting is credited with influencing the development of Western modern art. Its minimalist approach to painting continues to have enormous appeal. Artist and teacher Sungsook Setton, who learned the techniques with Chinese and Korean masters in her native South Korea, brings new excitement to this age-old art. While teaching the traditional disciplines for holding and using the brush, she shows students how to turn the techniques and inner meditation toward interpreting their own world: city views, music, and the essence of contemporary life"--

(Limited Collector's Edition - 150) This is an art book: oil paintings with accompanying scripture verses presented as a 365 daily devotional.The Spirit and the Brush is a collection of 124 paintings, along with several drawings, created over the past decade. They are arranged to guide the reader through a year of contemplation that echoes nature's life cycles: Spring's revival, birth, and joy; Summer's celebration and whimsy; Autumn's color, abundance, and bounty; and Winter's sleepy embrace encouraging rest and solace in the stark and beautiful landscape.Each image pairs with three scriptures (one per calendar day, leap year excluded). Guided by my daily contemplations and prayers, the scriptures are determined once a piece is completed. The selected passages embody the emotional and thematic direction of the work with the intention of bringing a deeper meaning of context and contemplation to the visual experience. Selected works meet three criteria: an intimate connection with a place I've been and an experience I had; an aesthetic level that I am at peace with; and a strong emotional context. Landscapes are interspersed with still lifes-often created during the cold of winter-that have a direct correlation to the bounty of the scene. I encourage you to find a quiet place of respite each day and ponder the images, consider the passages, and find your own connection to God's Word and His creations.Whether artist, lover of art, lover of the landscape, person of prayer or curious seeker, I hope you find peace and love when opening the book. I pray my efforts humbly point to God.... with Humility comes Wisdom.Proverbs 11:2

This moment of perfect clarity that is the force behind all the traditional Japanese arts—from archery to flower arranging—is celebrated here in Dave Lowry's exploration of the common principles shared by calligraphy and the martial arts. Forty-two examples of Lowry's calligraphy, accompanied by his essays, show how the way of the brush reflects the strategic principles of the way of the sword. Each calligraphy represents a term from the martial arts—such as do, the way, or wa, harmony. The accompanying text amplifies our understanding of the term, what it meant to Japanese warriors, and what it means to practitioners of calligraphy and the martial arts today. What becomes clear is that these two seemingly unrelated disciplines actually partake of the same profound elemental spirit.

Begin your voyage into this ancient style of watercolor painting with this georgeous introduction. Learn everything you need to know, from the essential materials and techniques to mounting a completed painting. A selection of classic motifs, freom enchanting flowers to captivating creatures, is accompanied by informative and inspirational textt that guides you through the creative process. With this unique and accesible approach, anyone can experience The Ch'i of the Brush.

In these days of sensationalism, the images of the past often seem shadowy and rather vague. This work explores a period in American art and culture when both were infused with a strong sense of righteousness and the certainty that the artist must celebrate nature and the deity. The chapter headings--from "Seeing" to "Virtue," "Chivalry" to "Christendom"--echo the ideas expressed in the paintings, contrasting with what art critic Cooper sees as a cultural crisis in our times. Unfortunately, this work comes across as preachy and sentimental, perhaps because of the zealous morality of the time it examines. Still, the works of art, gathered from a wide variety of holdings, are an excellent record of a splendid age of landscape, and Cooper should be commended for preserving and evaluating these important records of a past era. One could only wish that the sense of moral judgment did not overwhelm the critical eye. Recommended for academic libraries and all libraries focusing on American art history. 58 colour & 2 b/w illustrations

"Illustrated with 150 beautiful paintings by the author as well as some by old masters and other contemporary artists working in the medium, The Luminous Brush is the most comprehensive how-to guide on this luminous painting medium that is experiencing a newfound popularity among today's artists."--BOOK JACKET.