The Spirit of Spain brims with apercus and revelations, many of them controversial, others startling, all engrossing. From Roman Hispania to the most recent Spanish trends, Professor Raley narrates the unique story of Spanish civilization. Examples of his original thinking include a phenomenology of Spanish history, a new theory of the Spanish Renaissance, new concepts of Spanish patriotism and nationalism, and a reinterpretation of Spanish Stoicism. As the book unfolds he also takes many sidelong looks into Hispanic America and offers a new explanation of Spain's relationship to Moslem Al-Andalus and modern Europe. The book culminates in a radical analysis of Quixotic life and its unsuspected significance for the post-modern age.

In the late nineteenth century, Spanish intellectuals and entrepreneurs became captivated with Hispanism, a movement of transatlantic rapprochement between Spain and Latin America. Not only was this movement envisioned as a form of cultural empire to symbolically compensate for Spain’s colonial decline but it was also imagined as an opportunity to materially regain the Latin American markets. Paradoxically, a central trope of Hispanist discourse was the antimaterialistic character of Hispanic culture, allegedly the legacy of the moral superiority of Spanish colonialism in comparison with the commercial drive of modern colonial projects. This study examines how Spanish authors, economists, and entrepreneurs of various ideological backgrounds strove to reconcile the construction of Hispanic cultural identity with discourses of political economy and commercial interests surrounding the movement. Drawing from an interdisciplinary archive of literary essays, economic treatises, and political discourses, The Spirit of Hispanism revisits Peninsular Hispanism to underscore how the interlacing of cultural and commercial interests fundamentally shaped the Hispanist movement. The Spirit of Hispanism will appeal to scholars in Hispanic literary and cultural studies as well as historians and anthropologists who specialize in the history of Spain and Latin America.

(Book Jacket Status: Not Jacketed) Chilean writer Isabel Allende’s classic novel is both a richly symbolic family saga and the riveting story of an unnamed Latin American country’s turbulent history. In a triumph of magic realism, Allende constructs a spirit-ridden world and fills it with colorful and all-too-human inhabitants. The Trueba family’s passions, struggles, and secrets span three generations and a century of violent social change, culminating in a crisis that brings the proud and tyrannical patriarch and his beloved granddaughter to opposite sides of the barricades. Against a backdrop of revolution and counterrevolution, Allende brings to life a family whose private bonds of love and hatred are more complex and enduring than the political allegiances that set them at odds. The House of the Spirits not only brings another nation’s history thrillingly to life, but also makes its people’s joys and anguishes wholly our own.

The catalogue of the first exhibition to explore the Spanish paintings of Robert Henri (1865-1929). Including more than forty full-color plates of the paintings inspired by Henri's seven journeys to Spain, Spanish Sojourns provides a thorough examination of Henri's lengthy engagement with that country's people, art, and culture.

Historians have long been aware that the encounter with Europeans affected all aspects of Native American life. But were Indians the only ones changed by these cross-cultural meetings? Might the newcomers' ways, including their religious beliefs and practices, have also been altered amid their myriad contacts with native peoples? In Encounters of the Spirit, Richard W. Pointer takes up these intriguing questions in an innovative study of the religious encounter between Indians and Euro-Americans in early America. Exploring a series of episodes across the three centuries of the colonial era and stretching from New Spain to New France and the English settlements, he finds that the flow of cultural influence was more often reciprocal than unidirectional.

The juxtaposition of thirty black-and-white remastered Lindbergh images and thirty contemporary color images, provides a fascinating survey of the area over nearly a century allowing a unique view of the multi-layered, cultural landscape of the American S