In this book, Michael Mowbray shows readers how to set up a completely speedlight-based portrait photography studio. He goes in depth regarding gear and techniques, providing photographers with scores of example portraits and lighting diagrams to make it easy to follow along and replicate the portrait lighting effects that he shows. Readers will learn about selecting speedlights (Mowbray covers Canon, Nikon, and third-party units), learning standard operations, and working with the units on the camera’s hot shoe (a connectivity device on top of the camera) or in the periphery for more flexible, controllable results. Readers will learn why modifying the light from speedlights will produce a lot more bang for their buck and will also discover a host of tools—commercial and DIY—that can be used to change the direction, color, and quality of light for the ultimate artistic control.

Electronic flash not only brings light to a photograph, it can be an important artistic tool--if you’ve acquired the knowledge to use it creatively. To master those skills, digital photographers need only turn to this complete reference. Packed with inspirational photos, it takes the mystery out of flash, covering every type of equipment and explaining such essentials as guide numbers, sync speeds, white balance, and more. Photographers will see how fill flash can decrease contrast and shadows in outdoor portrait photography, understand how to control the light using bounce and multiple flash techniques, and expertly employ high-speed and rear curtain synchronization to create impressive motion-blur images. Everything you need to know is here--including a section on studio flash and computer processing.

Mastering Nikon Speedlights is the most comprehensive guide available for anyone using or wanting to learn more about the Nikon Creative Lighting System (CLS). Starting with an exploration of how to work with light, the book teaches you everything you need to know about understanding the direction and intensity of light, using light meters and metering modes, controlling exposure, and much more. You’ll learn the specifics of how to use the full range of Nikon Speedlights and accessories, including past and current models of cameras and CLS compatible flashes—and in the process you’ll find out how to get the best shots with your gear, whether you have a whole box of equipment or just the basics. The book includes practical, real-world photo shoots—portraits, action shots, and product photography—starting with one light and gradually working up to multiple lights so you can observe the progression of the light from one flash to many. No matter what your subject or shooting scenario, Mastering Nikon Speedlights is an essential resource that teaches you how to produce the light you need to achieve great results. Offers a thorough discussion of the qualities of light, how the camera measures light, and the settings needed to record an image with proper exposure Provides a complete overview of all the components that make up the Nikon Creative Lighting System, outlining how to use the different Speedlights and accessories to correspond with each camera’s unique capabilities Covers how to use the Nikon Speedlights off the camera using the Advanced Wireless Lighting (AWL) features built into the Creative Lighting System Features several examples of real photo shoots, showing you how to take great photos in a variety of situations, building from one flash up to multiple flashes

If they aren't carrying much equipment and the natural lighting turns, photographers tend to reach for the on-camera flash button. These intense light sources can prove invaluable, but only if you know how to use them effectively. In the hands of an inexperienced photographer, on-camera flash will produce images with harsh shadows, washed out skin tones, cavernous black backgrounds and other unappealing visual characteristics. In On-Camera Flash the pitfalls photographers new to speedlights often encounter are outlined, ensuring readers can avoid them.

From a master of professional photography, a book that explores the exciting possibilities of artificial light. This guide to on- and off-camera flash picks up where Peterson's previous title, Understanding Exposure, left off--helping free photographers from the limitations of auto to get the images they want when natural light isn't enough. For the many amateur photographers afraid to venture past natural lighting, here is the book that will finally help them master artificial light. In his trademark easy-to-understand style, Bryan Peterson explains not only how flash works, but how to go beyond TTL automatic flash exposure to master manual flash, allowing readers to control the quality, shape and direction of light for a perfect exposure, every time.

For decades, professional photographers have been using large, expensive studio lighting setups for their shoots. While powerful and effective, they have certain limitations. A new generation of photographers has embraced speedlights, battery powered flashes that can mount on your camera or be triggered remotely. After years of using studio lights, Michael Mowbray switched over to speedlights. He started gradually but soon realized he could shoot nearly everything with speedlights. Specializing in wedding and senior portraits, Mowbray found freedom and renewed creativity with these lights. As he states in the introduction, he no longer chases light, he creates it. The book begins by outlining the core concepts for using speedlights as a primary light source. Knowing how light works allows you to control it. The same goes for your camera. Understanding how the flash and the camera interact using the camera’s metering system is the center of Mowray’s speedlight technique. It’s also important to understand how your camera and flashes communicate while they aren’t attached to one another. The ability to have remote flashes tucked into unique places for a shoot opens up the lighting options available to you. In addition to wedding and senior portrait photography, Mowbray works in fashion, commercial and family photography. The versatility of speedlights allows a professional photographer to work in many genres. After covering the core concepts, the book presents 60 of Mowbray’s world class images. Each photo is accompanied by a list of the equipment used for capturing the shot, alternate related images and a lighting diagram. One of the major advantages of a speedlight portrait system is that it allows you create the light you want virtually anywhere. Interesting unlit nooks magically become great photo settings. A common theme across much of Mowbray’s location work is using speedlights to create light and contrast where none currently exist. A shoot may require that you work at less than ideal times of the day. It is possible create your own sunrise, shoot at night when there is little natural light, or make the daytime look like night. This flexibility opens up the number and type of clients your business can handle. Attention to detail with the placement of lights can be the difference between a run-of-the-mill portrait and a striking, award winning image. Mowbray provides great detail on what went into making each of his photographs. Don’t get stuck in a rut using the same modifiers and the same lighting over and over again. It may work fine but it will ultimately limit you. Clients like choices, especially when they are investing a lot of money. Choices can often lead to bigger sales as clients feel the need to order more of the varied looks and styles. Working in edgier lighting styles and clothing combinations, unique backgrounds or locations can expand the variety of shots you get from a session. Whether going for that classic studio look or crafting something very dramatic and modern, speedlights give you the ability to improvise and expand your techniques. While Mowbray’s main focus is the power and flexibility of speedlights, he also provides great tips for composition and location scouting. Also necessary is the ability to improvise on the spot if your planned location doesn’t work out, like his rained out plans for an outdoor bridal shoot. While creative use of speedlights gives a lot of control over the image created, there are some instances where digital postproduction adds something extra that really makes the photo pop. Mowbray gives a number of examples where editing helped make the final image exactly what he and the client were looking for. Containing lots of images, diagrams, and detailed text, this book provides readers with a thorough understanding of the benefits of shooting with speedlights.