Beginning on the shores of West Africa in the sixteenth century and ending in the U.S. Lower South on the eve of the Civil War, Alexis Wells-Oghoghomeh traces a bold history of the interior lives of bondwomen as they carved out an existence for themselves and their families amid the horrors of American slavery. With particular attention to maternity, sex, and other gendered aspects of women's lives, she documents how bondwomen crafted female-centered cultures that shaped the religious consciousness and practices of entire enslaved communities. Indeed, gender as well as race co-constituted the Black religious subject, she argues—requiring a shift away from understandings of "slave religion" as a gender-amorphous category. Women responded on many levels—ethically, ritually, and communally—to southern slavery. Drawing on a wide range of sources, Wells-Oghoghomeh shows how they remembered, reconfigured, and innovated beliefs and practices circulating between Africa and the Americas. In this way, she redresses the exclusion of enslaved women from the American religious narrative. Challenging conventional institutional histories, this book opens a rare window onto the spiritual strivings of one of the most remarkable and elusive groups in the American experience.

This landmark collection of newly commissioned essays explores how diverse women of African descent have practiced religion as part of the work of their ordinary and sometimes extraordinary lives. By examining women from North America, the Caribbean, Brazil, and Africa, the contributors identify the patterns that emerge as women, religion, and diaspora intersect, mapping fresh approaches to this emergent field of inquiry. The volume focuses on issues of history, tradition, and the authenticity of African-derived spiritual practices in a variety of contexts, including those where memories of suffering remain fresh and powerful. The contributors discuss matters of power and leadership and of religious expressions outside of institutional settings. The essays study women of Christian denominations, African and Afro-Caribbean traditions, and Islam, addressing their roles as spiritual leaders, artists and musicians, preachers, and participants in bible-study groups. This volume's transnational mixture, along with its use of creative analytical approaches, challenges existing paradigms and summons new models for studying women, religions, and diasporic shiftings across time and space.

It has often been thought that participation in fertility rituals was women's most important religious activity in classical Greece. Matthew Dillon's wide-ranging study makes it clear that women engaged in numerous other rites and cults, and that their role in Greek religion was actually more important than that of men. Women invoked the gods' help in becoming pregnant, venerated the god of wine, worshipped new and exotic deities, used magic for both erotic and pain-relieving purposes, and far more besides. Clear and comprehensive, this volume challenges many stereotypes of Greek women and offers unexpected insights into their experience of religion. With more than fifty illustrations, and translated extracts from contemporary texts, this is an essential resource for the study of women and religion in classical Greece.

Religion and the American West offers a lavishly illustrated and comprehensive overview of the ways religion has shaped the idea of the American West and how the region has influenced broader religious and racial categories. Starting when the concept of the “American West” emerged in the early nineteenth century and continuing through modern times, Religion and the American West explores the interplay between a wide range of American belief systems, from established world religions to new spiritual innovations. A stunning selection of material and print culture illustrates the varied range of religious expressions across the history of the American West. Taken as a whole, the contributors challenge longstanding definitions of the American West and provide a new narrative that recenters our attention on the lived experiences of diverse peoples and communities. The book also serves as the companion publication for the New-York Historical Society’s traveling exhibition “Acts of Faith.” Religion and the American West is a story of vibrant innovation and tragic conflict, showcasing how historical actors and modern-day readers wrestle with the meaning of religious belief in the American West.

Women at Work presents the field of rhetorical studies with fifteen chapters that center on gender, rhetoric, and work in the US in the nineteenth and twentieth centuries. Feminist scholars explore women’s labor evangelism in the textile industry, the rhetorical constructions of leadership within women’s trade unions, the rhetorical branding of a twentieth-century female athlete, the labor activism of an African American blues singer, and the romantic, same-sex collaborations that supported pedagogical labor. Women at Work also introduces readers to rhetorical methods and approaches possible for the study of gender and work. Contributors name and explore a specific rhetorical concern that animates their study and in so doing, readers learn about such concepts as professional proof, rhetorical failure, epideictic embodiment, rhetorics of care, and cross-racial coalition building.

Three master narratives currently dominate the analysis of modern mission history.?One puts foreign missionaries at the heart of the story.?A second emphasizes the colonial aspect of modern missions.?Here, missionaries are not heroes but villains, who are implicated in hegemonic schemes of imperial domination.?Thirdly, mission history is subordinated to one of its outcomes, the advent of World Christianity.?In this master narrative, the concept of contextualization looms large, bolstered by Sanneh's notion of translatability and emphasis on the agency of non-Westerners, who participate in and subtly shape the complex social processes of evangelization.?While all three of these master narratives are insightful, none of them adequately balances concern for missionary initiative and indigenous agency.?? Borrowing from speech-act theory, Skreslet offers a new analytical approach to the modern roots of World Christianity that differentiates between what a speaker might intend to communicate and the effects of what has been said or actions taken both in the moment and over time.?Corresponding to the concepts of illocution and perlocution as these technical terms are used in speech-act theory, the book is structured in two main sections.?Initially, the focus is on expressed missionary motives. Part two engages a representative set of modern-era mission performances involving many more actors than just the foreign evangelizers whose stated or implied intentions are emphasized in part one.

Whether invisible or hyper-visible, adored or reviled, from the inception of American literature the Black body has been rendered in myriad forms. This volume tracks and uncovers the Black body as a persistent presence and absence in American literature. It provides an invaluable guide for teachers and students interested in literary and artistic representations of Blackness and embodiment. The book is divided into three sections that highlight Black embodiment through conceptual flashpoints that emphasize various aspects of human body in its visual and textual manifestations. This Companion engages past and continuing debates about the nature of embodiment by showcasing how writers from multiple eras and communities defined and challenged the limits of what constitutes a body in relation to human and nonhuman environment.