First published in 1972, this book examines the sonnet, one of the most complex yet accessible of verse forms. It traces its history, concentrating primarily on its technical development, and fully explains the differences between the Italian and English sonnet. The study looks at several different kinds of sonnet, including condensed and expanded sonnets, inverted and tailed sonnets and irregularities of metre and rhyme, and concludes with a survey of the sonnet sequence. This book will be useful to students of prosody and English poetry as well as those concerned with the practice of verse.

Bronwen Wallace Memorial Award-winning poet Sonnet L'Abbé returns with her third collection, in which a mixed-race woman decomposes her inheritance of Shakespeare by breaking open the sonnet and inventing an entirely new poetic form. DOROTHY LIVESAY POETRY PRIZE FINALIST RAYMOND SOUSTER AWARD FINALIST How can poetry grapple with how some cultures assume the place of others? How can English-speaking writers use the English language to challenge the legacy of colonial literary values? In Sonnet's Shakespeare, one young, half-dougla (mixed South Asian and Black) poet tries to use "the master's tools" on the Bard's "house," attempting to dismantle his monumental place in her pysche and in the poetic canon. In a defiant act of literary patricide and a feat of painstaking poetic labour, Sonnet L'Abbé works with the pages of Shakespeare's sonnets as a space she will inhabit, as a place of power she will occupy. Letter by letter, she sits her own language down into the white spaces of Shakespeare's poems, until she overwhelms the original text and effectively erases Shakespeare's voice by subsuming his words into hers. In each of the 154 dense new poems of Sonnet's Shakespeare sits one "aggrocultured" Shakespearean sonnet--displaced, spoken over, but never entirely silenced. L'Abbé invented the process of Sonnet's Shakespeare to find a way to sing from a body that knows both oppression and privilege. She uses the procedural techniques of Oulipian constraint and erasure poetries to harness the raw energies of her hyperconfessional, trauma-forged lyric voice. This is an artist's magnum opus and mixed-race girlboy's diary; the voice of a settler on stolen Indigenous territories, a sexual assault survivor, a lover of Sylvia Plath and Public Enemy. Touching on such themes as gender identity, pop music, nationhood, video games, and the search for interracial love, this book is a poetic achievement of undeniable scope and significance.

"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.

Beginning with the early masters of the sonnet form, Dante and Petrarch, the Companion examines the reinvention of the sonnet across times and cultures, from Europe to America. In doing so, it considers sonnets as diverse as those by William Shakespeare, William Wordsworth, George Herbert and e. e. cummings. The chapters explore how we think of the sonnet as a 'lyric' and what is involved in actually trying to write one. The book includes a lively discussion between three distinguished contemporary poets - Paul Muldoon, Jeff Hilson and Meg Tyler - on the experience of writing a sonnet, and a chapter which traces the sonnet's diffusion across manuscript, print, screen and the internet. A fresh and authoritative overview of this major poetic form, the Companion expertly guides the reader through the sonnet's history and development into the global multimedia phenomenon it is today.

With no fewer than 84 contributors, this is a truly groundbreaking anthology. There are plenty of modern sonnet anthologies around; but none that have delved so thoroughly into the myriad ways poets have stretched, deconstructed and re-composed the venerable form, including visual and concrete sonnets. We take as our time frame 1945 to the 21st century, with poets ranging from Edwin Denby (born - 1903) to those currently in their twenties. Jeff Hilson, the editor, contributes an introductory essay.It's contributors include: Robert Adamson, Jeremy Adler, Tim Atkins, Ted Berrigan, Jen Bervin, Rachel Blau duPlessis, Christian Bok, Sean Bonney, Ebbe Borregaard, Jonathan Brannen, Pam Brown, Laynie Browne, Thomas A Clark, Adrian Clarke, John Clarke, Bob Cobbing, Clark Coolidge, Kelvin Corcoran, Beverly Dahlen, Ian Davidson, Edwin Denby, Laurie Duggan, Paul Dutton, Ken Edwards, Michael Farrell, Allen Fisher, Kathleen Fraser, William Fuller, John Gibbens, Harry Gilonis, Giles Goodland, Bill Griffiths, Alan Halsey, Robert Hampson, Jeff Hilson, Anselm Hollo, Lyn Hejinian, Piers Hugill, Peter Jaeger, Elizabeth James, Lisa Jarnot, Keith Jebb, Justin Katko, John Kinsella, Philip Kuhn, Michelle Leggott, Tony Lopez, Chris McCabe, Steve McCaffery, Jackson Mac Low, Richard Makin, Peter Manson, Brian Marley, Bernadette Mayer, Jay Millar, David Miller, and Peter Minter.

In this indispensible introductory study of the sonnet, Michael R.G. Spiller takes the reader on an illuminating guided tour. He begins with the invention of the sonnet in thirteenth-century Italy and traces its progress through to the time of Milton, showing how the form has developed and acquired the capacity to express lyrically 'the nature of the desiring self'. In doing so he provides a concise critical account of the major British sonnet writers in relation to the sonnet's history. Tailor-made for students' needs, this will be an essential purchase for anyone studying this enduring poetic form. Poets covered include: Petrarch, Wyatt, Sidney, Shakespeare, Spenser, Milton and Dante.

An anthology of more than three hundred sonnets, arranged by the birth date of the poets, features the work of Shakespeare, Donne, Milton, Wordsworth, the Brownings, Christina Rossetti, Frost, Millay, Walcott, Heaney, and others.