Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. THEY came over the Pass one day in one big wagon-all ten of them-man and woman and hired girl and seven big boy children, from the nine-year-old who walked by the team to the baby in arms. Or so the story runs-it was in the early days of settlement and the town had never heard of the Sobbin' Women then. But it opened its eyes one day, and there were the Pontipees. They were there but they didn't stay long-just time enough to buy meal and get a new shoe for the lead horse. You couldn't call them unsociable, exactly-they seemed to be sociable enough among themselves. But you could tell, somehow, from the look of them, that they weren't going to settle on ground other people had cleared. They were all high-colored and dark-haired-handsome with a wilderness handsomeness-and when you got them all together, they looked more like a tribe or a nation than an ordinary family. I don't know how they gave folks that feeling, but they did. Yes, even the baby, when the town women tried to handle him. He was a fine, healthy baby, but they said it was like trying to pet a young raccoon. Well, that was all there was to it, at the start. They paid for what they bought in good money and drove on up into Sobbin' Women Valley-only it wasn't called Sobbin' Women Valley then. And pretty soon, there was smoke from a chimney there that hadn't been there before. But you know what town gossip is when it gets started. The Pontipees were willing enough to let other folks alone-in fact, that was what they wanted. But, because it was what they wanted, the town couldn't see why they wanted it. Towns get that way, sometimes.

For voice and piano; includes chord symbols.

Thirteen O'Clock: Stories of Several Worlds is a collection of Benét's finest and most famous short stories, including “The Devil and Daniel Webster” (1936), “By the Waters of Babylon” (1937), and “The King of the Cats” (1929). The complete contents consists of: By the Waters of Babylon The Blood of the Martyrs The King of the Cats A Story by Angela Poe The Treasure of Vasco Gomez The Curfew Tolls The Sobbin' Women The Devil and Daniel Webster Daniel Webster and the Sea Serpent Glamour Everybody was Very Nice A Death in the Country Blossom and Frui Introduction by Karl Wurf

This is the compelling story of two boys, one white and one blue, who live in a small town in the North Georgia mountains in 1963. Trouble starts when the boys find a dead baby whose body has been abandoned in the town garbage dump. As the narrator of the tale, the boy Buddy runs for help. His best friend, Early, a gentle boy with blue skin, who is descended from the Blue People of Troublesome Creek, takes that dead baby in his hands and conjures the infant back to life. This miracle ignites a firestorm of controversy and Early becomes known as Blue Jesus, the blue boy with the power to heal. Colorful and honest, with humor, heartbreak, and ultimate redemption, Blue Jesus is the story of friendship, family, faith, and the power in a commonality of differences.

When Stephen Vincent Benet died in 1943 at the age of 44, all of America mourned the loss. Benet was one of the country's most well known poets of the first half of the twentieth century and as a fiction writer, he had an even larger audience. This book is a collection of essays celebrating Benet and his writing. The first group of essays addresses Benet's life, times, and personal relationships. Thomas Carr Benet reminisces about his father in the first essay, and others consider Benet's marriage to his wife Rosemary; Archibald MacLeish, Thornton Wilder and Benet as friends, liberal humanists and public activists; and his friendships with Philip Barry, Jed Harris, and Thornton Wilder. The second group contains essays about Benet's poetry, fiction, and drama. They discuss Benet's role in the development of historical poetry in America, John Brown's Body and the Civil War, Hawthorne, Benet and historical fiction, Benet's Faustian America, the adaptation of "The Devil and Daniel Webster" to drama and then to film, Benet's use of fantasy and science fiction, and Benet as a dramatist for stage, screen and radio.

Reproduction of the original.

Contains the author's Thirteen o'clock and Tales before midnight, published separately in 1939 and 1937, respectively.