What will the queen do when she receives an owl instead of a fancy hat? With fun, full-color illustrations and a reading comprehension activity, this silly story is perfect for emerging readers.

An enchantingly positive story of love, loneliness, and the hope of renewal “Who needs friends?” thinks Mr. Brown. “I can suit myself and wear my smart hat all day long.” Try as he might, however, Mr. Brown is lonely. But when a woodpecker decides Mr. Brown needs some company, his life is transformed.

Was Abe Lincoln absent-minded? Indeed! President Lincoln came up with a trick involving his stovepipe hat to nudge his memory! Fascinating anecdotes and historical context enrich this expanded biographical picture book that brings to life one of our nation's most revered presidents. Long before he became the 16th president, Abe Lincoln started out as a frontier lawyer. He resorted to sticking letters and notes deep inside his hat so they stayed handy. Adapted from the Step into Reading leveled reader of the same name, author Martha Brenner has revised and enriched her original text to include more historical material and resources for those who want to explore this captivating figure further. Illustrator Brooke Smart's clever art makes history more appealing than ever. Including both humor and painful, hard-hitting American history, this new edition traces Lincoln's evolution into a compelling commander-in-chief during a contentious time in our nation's history. Young readers will be intrigued!

A TOUCH OF MAGIC In a world where everyone takes wonders like magic spells and dragons for granted, Coco is a girl with a simple dream: She wants to be a witch. But everybody knows magicians are born, not made, and Coco was not born with a gift for magic. Resigned to her un-magical life, Coco is about to give up on her dream to become a witch…until the day she meets Qifrey, a mysterious, traveling magician. After secretly seeing Qifrey perform magic in a way she’s never seen before, Coco soon learns what everybody “knows” might not be the truth, and discovers that her magical dream may not be as far away as it may seem…

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.