Poetry. Latino/Latina Studies. Women's Studies. Latina poet Cindy Williams Gutiérrez describes a mosaic of worlds--Tenochtitlan, New Spain, and the Mexican diaspora--and takes us on a journey that explores her complex multicultural identity. A literary bridge that spans 600 years of history, these poems reflect two pivotal eras in Mexico's past through the voices of real and imagined historical figures that in turn elicit responses from the poet's contemporary voice. Three series of poems include imagined fifteenth-century Nahua songs, irreverent sonnets and décimas in the style of Sor Juana Inés de la Cruz, and the intimate, contemporary voice of Williams Gutiérrez as she pays tribute to all that she holds dear in Mexico's diverse cultural tapestry. Through its distinctive call-and- response approach, this unique collection extends the literary dialogue of the Americas vital to US Hispanic literature, earning the poet a place in the company of the most esteemed Latina feminist writers.

"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--

Poetry. A rendering of queer affects of desire, loss, and travel: ONCE TEETH BONES CORAL: undoes in language normative relations of self, lover, body, nature, verb, noun, adjective, and concept.

Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State, 2010), and Nesting Dolls (Pudding House, 2005). Her poem “Good Bones” has gone viral—tweeted and translated across the world, featured on the TV drama Madam Secretary, and called the “Official Poem of 2016” by the BBC/Public Radio International, earning news coverage in the New York Times, Washington Post, Slate, the Guardian, and beyond. Maggie Smith was named the 2016 Ohio Poet of the Year. “Smith's voice is clear and unmistakable as she unravels the universe, pulls at a loose thread and lets the whole thing tumble around us, sometimes beautiful, sometimes achingly hard. Truthful, tender, and unafraid of the dark....”—Ada Limón “As if lost in the soft, bewitching world of fairy tale, Maggie Smith conceives and brings forth this metaphysical Baedeker, a guidebook for mother and child to lead each other into a hopeful present. Smith's poems affirm the virtues of humanity: compassion, empathy, and the ability to comfort one another when darkness falls. 'There is a light,' she tells us, 'and the light is good.'”—D. A. Powell “Good Bones is an extraordinary book. Maggie Smith demonstrates what happens when an abundance of heart and intelligence meets the hands of a master craftsperson, reminding us again that the world, for a true poet, is blessedly inexhaustible.”—Erin Belieu

The bliss of life is found in the simplest of moments, where joy dances freely and contentment thrives. It's in the gentle caress of a loved one's hand, the warmth of a heartfelt smile, and the beauty of a sunrise painting the sky with hues of hope. It resides in the laughter of children playing, the harmony of nature's symphony, and the serenity of a peaceful mind. Life's bliss is not always grandiose; it often hides in the mundane, waiting to be discovered in the quiet corners of everyday existence. Embrace these moments, for they are the essence of true happiness, enriching the tapestry of our lives with meaning and fulfillment

For more than thirty years Natalie Goldberg has been challenging and cheering on writers with her books and workshops. In her groundbreaking first book, she brings together Zen meditation and writing in a new way. Writing practice, as she calls it, is no different from other forms of Zen practice—"it is backed by two thousand years of studying the mind." This thirtieth-anniversary edition includes new forewords by Julia Cameron and Bill Addison. It also includes a new preface in which Goldberg reflects on the enduring quality of the teachings here. She writes, "What have I learned about writing over these thirty years? I’ve written fourteen books, and it’s the practice here in Bones that is the foundation, sustaining and building my writing voice, that keeps me honest, teaches me how to endure the hard times and how to drop below discursive thinking, to taste the real meat of our minds and the life around us."