"The first critical edition of W. H. Auden's poetry collection The Shield of Achilles, which won the 1956 National Book Award in Poetry, this book will include the complete text of Auden's award-winning volume The Shield of Achilles, accompanied critical commentary by Alan Jacobs: a preface to provide historical and publishing context; a longer introduction to orient the reader to the poems themselves; and detailed notes on words or passages in need of clarification for contemporary readers. Jacobs, who has edited two previous critical editions of Auden's poetry, argues that this was the most important single collection of poems Auden published, and also the most coherent of his collections. The two poetic sequences, "Bucolics" and "Horae Canonicae," bookend a remarkable set of lyrics, with "The Shield of Achilles" itself at the heart. One of Auden's last long poems, it refers to moment in The Iliad in which Thetis, mother of Achilles, asks Hephaestus to forge a shield for her son. Auden re-imagines how the shield of Achilles would look in the modern age, when the rules of war and the role of the hero have been rewritten. While the volume was widely praised, it is now out of print (although the title poem is included in larger collections of Auden's poetry). A critical edition allows readers to better understand and appreciate one of Auden's most important later poetic works, written in what Jacobs describes as "a poetic idiom that differs quite significantly from what anyone else at the time was doing. . . . it is, in a vital sense, public poetry and it can be enjoyed, understood, and profited from. This edition is meant to make that enjoyment, understanding, and profit easier of access.""--

"We are at a moment in world affairs when the essential ideas that govern statecraft must change. For five centuries it has taken the resources of a state to destroy another state . . . This is no longer true, owing to advances in international telecommunications, rapid computation, and weapons of mass destruction. The change in statecraft that will accompany these developments will be as profound as any that the State has thus far undergone." —from the Prologue The Shield of Achilles is a classic inquiry into the nature of the State, its origin in war, and its drive for peace and legitimacy. Philip Bobbitt, a professor of constitutional law and a historian of nuclear strategy, has served in the White House, the Senate, the State Department, and the National Security Council in both Democratic and Republican administrations, and here he brings his formidable experience and analytical gifts to bear on our changing world. Many have observed that the nation-state is dying, yet others have noted that the power of the State has never been greater. Bobbitt reconciles this paradox and introduces the idea of the market-state, which is already replacing its predecessor. Along the way he treats such themes as the Long War (which began in 1914 and ended in 1990). He explains the relation of violence to legitimacy, and the role of key individuals in fates that are partially—but only partially—determined. This book anticipates the coalitional war against terrorism and lays out alternative futures for the world. Bobbitt shows how nations might avoid the great power confrontations that have a potential for limitless destruction, and he traces the origin and evolution of the State to such wars and the peace conferences that forged their outcomes into law, from Augsburg to Westphalia to Utrecht to Vienna to Versailles. The author paints a powerful portrait of the ever-changing interrelatedness of our world, and he uses his expertise in law and strategy to discern the paths that statehood will follow in the coming years and decades. Timely and perceptive, The Shield of Achilles will change the way we think about the world.

Details the author's reconstruction of the shield of Achilles, using Homer as her guide in the creative process.

In the Homeric Epics, important references to specific autonomous systems and mechanisms of very advanced technology, such as automata and artificial intelligence, as well as to almost modern methods of design and production are included. Even if those features of Homeric science were just poetic concepts (which on many occasions does not explain the astonishing details of design and manufacture, like the ones included in the present volume), they seem to prove that these achievements were well within human capability. In addition, the substantial development of machine theory during the early post-Homeric age shows that the Homeric descriptions were a kind of prophetic conception of these machines, and scientific research must be a quest for the fundamental principles of knowledge available during the Late Bronze Age and the dawn of the Iron Age. Such investigations must of necessity be strongly interdisciplinary and also proceed continuously in time, since, as science progresses, new elements of knowledge are discovered in the Homeric Epics, amenable to scientific analysis. This book brings together papers presented at the international symposium Science and Technology in Homeric Epics, which took place at Ancient Olympia in 2006. It includes a total of 41 contributions, mostly original research papers, covering diverse fields of science and technology, in the modern sense of these words.

In this volume, fifteen scholars and poets, from Austria, Britain, Czechia, France, Germany, Ireland, Lithuania, and Russia, explore the topic of things and objects in poetry written in a number of different languages and in different eras. The book begins with ancient poetry, then moves on to demonstrate the significance of objects in the Chinese poetic tradition. From there, the focus shifts to things and objects in the poetry of the twentieth and the twenty-first century, examining the work of Czech, Polish, and Russian poets alongside other key figures such as Rilke, Francis Ponge, William Carlos Williams, and Paul Muldoon. Along the way, the reader gets an introduction to key terms and phrases that have been associated with things in the course of poetic history, such as ekphrasis, objective lyricism, and hyperobjects.

Book 18 of the Iliad is an outstanding example of the range and power of Homeric epic. It describes the reaction of the hero Achilles to the death of his closest friend, and his decision to re-enter the conflict even though it means he will lose his own life. The book also includes the forging of the marvellous shield for the hero by the smith-god Hephaestus: the images on the shield are described by the poet in detail, and this description forms the archetypal ecphrasis, influential on many later writers. In an extensive introduction, R. B. Rutherford discusses the themes, style and legacy of the book. The commentary provides line-by-line guidance for readers at all levels, addressing linguistic detail and larger questions of interpretation. A substantial appendix considers the relation between Iliad 18 and the Babylonian Epic of Gilgamesh, which has been prominent in much recent discussion.

In this masterly interpretation of narrative sequence in the Iliad, Keith Stanley not only sharpens the current debate over the date and creation of the poem, but also challenges the view of this work as primarily a celebration of heroic force. He begins by studying the intricate ring-composition in the verses describing Achilles' shield, then extends this analysis to reveal the Iliad as an elaborate and self-conscious formal whole. In so doing he defends the hypothesis that the poem as we know it is a massive reorganization and expansion of earlier "Homeric" material, written in response to the need for a stable text for repeated performance at the sixth-century Athenian festival for the city's patron goddess. Stanley explores the arrangement of the poem's books, all unified by theme and structure, showing how this allowed for artistically satisfying and practically feasible recitation over a period of three or four days. Taking structural emphasis as a guide to poetic discourse, the author argues that the Iliad is not a poem of "might"--as opposed to the Odyssean celebration of "guile"--but that in advocating social and personal reconciliation the poem offers a profound indictment of a warring heroic society. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.