Because of Luke's unique literary achievement in the Gospel of Luke and Acts, these two works raise a variety of interesting and important issues for the exegete. In this important collection of essays, Tannehill demonstrates why he is has been in the forefront of Luke-Acts research for more than three decades. His nuanced approach to the intersection of literary, theological, and social features in the texts marks these as required reading for any interpreter of the gospels. Contents Part I: Theology, Poetry, Rhetoric 1 The Mission of Jesus according to Luke 4:16-30 2 The Magnificat as Poem 3 What Kind of King? What Kind of Kingdom? 4 The Lukan Discourse on Invitations 5 The Story of Zacchaeus as Rhetoric 6 Repentance in the Context of Lukan Soteriology Part II: Luke and the Jews 7 Israel in Luke-Acts: A Tragic Story 8 The Story of Israel within the Lukan Narrative 9 Rejection by Jews and Turning to Gentiles: The Pattern of Paul's Mission in Acts Part III: Acts as Narrative 10 The Functions of Peter's Mission Speeches in the Narrative of Acts 11 The Composition of Acts 3Ð5: Narrative Development and Echo Effect 12 Paul outside the Christian Ghetto: Intercultural Conflict and Cooperation in Acts 13 The Narrator's Strategy in the Scenes of Paul's Defense Part IV: Hermeneutical Experiments 14 Should We Love Simon the Pharisee? Reflections on the Pharisees in Luke 15 Freedom and Responsibility in Scripture Interpretation 16 ÒCorneliusÓ and ÒTabithaÓ Encounter Luke's Jesus

Born in Miami's notorious Liberty City, Luther Campbell witnessed poverty, despair, and crime firsthand. His uncle Ricky did not want him trapped by the "invisible chains" of systemic racism, so Ricky schooled him on the necessity of a black man running his own life, controlling his livelihood, and owning property. Embracing these lessons, Campbell discovered his gift for entrepreneurship: He created one of the first hip-hop record companies, Luke Records, which started out of a shed in his mom's backyard and grew into a multimillion-dollar enterprise. As a rapper on his own label, Luke became known as the "King of Dirty Rap" and helped pioneer the worldwide phenomenon of Miami Bass. He went on to become the front man and manager for the rap group 2 Live Crew, and was key to the success of the group's controversial platinum recording As Nasty As They Wanna Be. His hugely popular and provocative music infuriated the Man, and Luke was marked as public enemy number one when hip-hop crossed the color line into white America. Campbell would spend more than a million dollars of his own money fighting cops and prosecutors, and he went all the way to the Supreme Court to protect his—and every other artist's—right to free speech, setting landmark legal precedents that continue to shape the entertainment industry to this day. In Campbell's clear and honest voice, he shares unforgettable stories of his rise to celebrity status, including illicit tales from his raunchy concerts. He also breaks down how he lost his fortune, but in the process gained a better perspective on life. His father taught him to be responsible for his actions and to be proud of himself. Campbell expressed this by being cocky and holding his head up high, but, as he acknowledges, "America has never been an easy place for a black man who doesn't know how to apologize." Touching on some of the most pressing issues of our time, The Book of Luke is a raw and powerful memoir of how one man invented southern hip-hop, saved the First Amendment, and became a role model for the disenfranchised people of the city he calls home.

ÒMost of the following essays reveal my interest in the significance of literary forms--both the short literary forms in the Gospels, such as pronouncement stories, and an entire Gospel as a formed narrative. I am interested in the significance of these forms, not just in literary classification systems . . . . I am interested in literary form as a clue to how the text may engage hearers and readers--impact their thought and life--if they are sensitive respondents. The Gospel stories have been shaped in ways that give them particular potentials for significant engagement. Study of literary form can help us recognize these potentials. --from the Introduction Contents Part I: Gospel Sayings and Stories 1 Tension in Synoptic Sayings and Stories 2 The Pronouncement Story and Its Types 3 Varieties of Synoptic Pronouncement Stories 4 Types and Functions of Apophthegms in the Synoptic Gospels 5 The Gospels and Narrative Literature 6 ÒYou Shall Be Complete--If Your Love Includes All (Matthew 5:48) Part II: The Gospel of Mark 7 The Disciples in Mark: The Function of a Narrative Role 8 The Gospel of Mark as Narrative Christology 9 Reading It Whole: The Function of Mark 8:34-35 in Mark's Story Part III: Paul's Gospel 10 Paul as Liberator and Oppressor: Evaluating Diverse Views of 1 Corinthians 11 Participation in Christ: A Central Theme in Pauline Soteriology

The story Luke tells in his gospel, says F. Scott Spencer, is “a compelling, complex narrative confession of faith in God. To what degree anyone joins Luke in that faith journey is up to them, but any responsible interpreter must attend considerately to Luke’s theological roadmap.” In this latest addition to the Two Horizons New Testament Commentary series, Spencer integrates close textual analysis of Luke’s unfolding narrative with systematic theology, spiritual forma­tion, philosophical inquiry, and psychological research. With section-by-section commentary, Spencer highlights the overriding salvific message that runs through Luke’s gospel. Pastors, scholars, and students alike will benefit from Spencer’s insight into Luke’s theological significance.

Introduces literary, historical, and theological issues of Luke and Acts. Biblical texts create worlds of meaning, and invite readers to enter them. When readers enter such textual worlds, which are often strange and complex, they are confronted with theological claims. With this in mind, the purpose of the Interpreting Biblical Texts series is to help serious readers in their experience of reading and interpreting by providing guides for their journeys into textual worlds. The controlling perspective is expressed in the operative word of the title--interpreting. The primary focus of the series is not so much on the world behind the texts or out of which the texts have arisen as on the worlds created by the texts in their engagement with readers. In keeping with the goals of the series, this volume provides an introductory guide to readers of the New Testament books of Luke and Acts. It focuses on both the synchronic and diachronic dimensions of the literature in an effort to acquaint readers with literary, historical, and theological issues that will facilitate interpretation of these important books. F. Scott Spencer is Professor of New Testament at Baptist Theological Seminary at Richmond.

Like all skilful authors, the composer of the biblical books of Luke and Acts understood that a good story requires more than a gripping plot - a persuasive narrative also needs well-portrayed, plot-enhancing characters. This book brings together a set of new essays examining characters and characterization in those books from a variety of methodological perspectives. The essays illustrate how narratological, sociolinguistic, reader-response, feminist, redaction, reception historical, and comparative literature approaches can be fruitfully applied to the question of Luke's techniques of characterization. Theoretical and methodological discussions are complemented with case studies of specific Lukan characters. Together, the essays reflect the understanding that while many of the literary techniques involved in characterization attest a certain universality, each writer also brings his or her own unique perspective and talent to the portrayal and use of characters, with the result that analysis of a writer's characters and style of characterization can enhance appreciation of that writer's work.

At the Heart of Luke is a unique contribution to Lucan studies focusing on the conspicuous concentration of Jesus' parables in chapters 14-16 of this gospel. Emmrich argues that this complex of texts forms the theological heart of Luke. The theme of reversal is the trademark common denominator of virtually all the stories and wisdom sayings assembled in this well-defined text unit. As such, it is key to the essential message of Luke's Gospel and furnishes the rationale for its inevitable climax, the great reversal of Jesus' cross. This study will prove to be of great benefit for students of Luke, especially those with a particular interest in the parables of Jesus that are unique to this Gospel.